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In the space of two collections, Gorse Fires (1991) and The Ghost Orchid (1995), Michael Longley broke a long poetic slience and re-drew the map of poetry at the end of the millenium. The Weather in Japan consolidates and expands the vision of those volumes, leading the reader through the various hells we have made this century.
Preferring to see the horrors of political violence through the filter of the domestic, pointing up the fragility of the order we create, he takes us from the fields of Flanders, through Terezin and Auschwitz to the troubled north of Ireland. And, in images drawn from the west of Ireland, Italy, America and Japan, he explores the fundamentals of 'home' and 'civilisation'.
Longley's grave humanity, Zen-like connective imagination and ecological eye give the most delicate compelx, beautiful things - a spring gentian, a lapwing or a snowflake - the nutritious light that allows them to grow greater than the crass brutality that surrounds them.
"A keeper of the aristic estate, a custodian of griefs and wonders" (Seamus Heaney)
"One of the finest lyric poets of our century" (John Burnside)
"His work indicates one of the gifts of the major poet, of making the one life speak for all, and its corollary, of seeming to be able to speak to anyone" (Sean O'Brien)
"Michael Longley's affectionate metre, his clean-cut and lucid measure, is one of the most distinguished accomplishments in contemporary poetry" (Douglas Dunn)
"While much contemporary verse attempts to sound casual, even offhand, Longley has consistently explored ways of thickening the texture of his idiom. His measured rhythms, skillfully crafted metaphors and elaborate syntax always insist on poetry's origins in ceremony, its powers to commemorate and dignify... His poetry binds the actual and mythical so seamlessly one looks in vain for the joints" (Mark Ford)
"One of the finest lyric poets of our century" (John Burnside)
"His work indicates one of the gifts of the major poet, of making the one life speak for all, and its corollary, of seeming to be able to speak to anyone" (Sean O'Brien)
"Michael Longley's affectionate metre, his clean-cut and lucid measure, is one of the most distinguished accomplishments in contemporary poetry" (Douglas Dunn)
"While much contemporary verse attempts to sound casual, even offhand, Longley has consistently explored ways of thickening the texture of his idiom. His measured rhythms, skillfully crafted metaphors and elaborate syntax always insist on poetry's origins in ceremony, its powers to commemorate and dignify... His poetry binds the actual and mythical so seamlessly one looks in vain for the joints" (Mark Ford)
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- ÉditeurJonathan Cape
- Date d'édition2000
- ISBN 10 0224060430
- ISBN 13 9780224060431
- ReliureBroché
- Nombre de pages80
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The Weather in Japan
Edité par
Jonathan Cape
(2000)
ISBN 10 : 0224060430
ISBN 13 : 9780224060431
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