For nearly twenty years David Dawson was Lucian Freud's assistant, companion and model. Freud was famously private. He carefully avoided distraction. With few exceptions, he only wanted those he knew well, like the late Bruce Bernard, to photograph him. David Dawson was in a unique position and Freud became comfortable in the presence of his camera. Photographing became part of the daily round of the studio. The results revealed many stages of paintings in progress. Few artists, if any, have had their lives and their work recorded over such a length of time.
Among those who regularly visited Freud were figures from the art world, including John Richardson, David Hockney and Frank Auerbach, along with a flow of models and friends. He was as happy in the company of Kate Moss as he was with the Duke of Beaufort. Despite his sense of privacy, Freud's circle was wide.
The book begins in Freud's old studio in Holland Park and then records the artist in his eighteenth-century house, the first floor of which was his final studio. It ends with views of the rooms in which Freud's own extraordinary collection of paintings was hung. It is the only record of the house before the dispersal of the art on his death.
Ultimately David Dawson's photographs create an intimate portrait of the man. The final images are of the hanging of Freud's work in his posthumous London exhibition at the National Portrait Gallery.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Dawson was born in Wales in 1960. After leaving the Royal College of Art he combined his work as a painter with becoming an assistant to Lucian Freud, with whom he remained until Freud’s death in 2011. His photographs, alongside those of Bruce Bernard, were published by Jonathan Cape in Freud At Work in 2006. His paintings were exhibited at Pallant House Gallery, Chichester in 2012 and by Marlborough Fine Art in 2013. His photographs of Lucian Freud were exhibited at the National Portrait Gallery, London and Hazlitt Holland-Hibbert in 2004, and at the Sigmund Freud Museum in the former Freud apartment in Vienna in 2013. He divides his time between London and Wales and over recent months he has been painting in New York.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. 1st edition, 2014. 273pp. Full colour illustrations and photographs throughout book. Book condition: VG Very slight age related sunning to page edges - please see photos. Dust Jacket: VG, shelf wear top edges and spine - please see photos. N° de réf. du vendeur 0635
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30.0 x 30.0cms 274pp colour illusts very good+ hardback & dustwrapper Dawson was Freud''s assistant companion & model for 20 years and took these photographs of Freud in his studio and home. This is the ''only record of Freud''s house before the dispersal of the art on his death''. N° de réf. du vendeur 20982041
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Hardcover. Etat : Good. Etat de la jaquette : Good. 1st Edition. 272pp, b/w and colour illustrated, colour pictorial d/j with title in white to pale grey spine. Minor shelfwear, price-clipped. Size: 4to - over 9¾ - 12" tall. Book. N° de réf. du vendeur 068097
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Vendeur : Moraine Books, Ruovesi, Finlande
Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. Text in English. 273 pp. Illustrated. For nearly twenty years David Dawson was Lucian Freud's assistant, companion and model. Freud was famously private. He carefully avoided distraction. With few exceptions, he only wanted those he knew well, like the late Bruce Bernard, to photograph him. David Dawson was in a unique position and Freud became comfortable in the presence of his camera. Photographing became part of the daily round of the studio. The results revealed many stages of paintings in progress. Few artists, if any, have had their lives and their work recorded over such a length of time.Among those who regularly visited Freud were figures from the art world, including John Richardson, David Hockney and Frank Auerbach, along with a flow of models and friends. He was as happy in the company of Kate Moss as he was with the Duke of Beaufort. Despite his sense of privacy, Freud's circle was wide.The book begins in Freud's old studio in Holland Park and then records the artist in his eighteenth-century house, the first floor of which was his final studio. It ends with views of the rooms in which Freud's own extraordinary collection of paintings was hung. It is the only record of the house before the dispersal of the art on his death.Ultimately David Dawson's photographs create an intimate portrait of the man. The final images are of the hanging of Preud's work in his posthumous London exhibition at the National Portrait Gallery. Book in great condition. Minor wear to the dust jacket. N° de réf. du vendeur 6932
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