Articles liés à Keeping an Eye Open: Essays on Art

Keeping an Eye Open: Essays on Art - Couverture souple

Barnes, Julian

 
9780224102018: Keeping an Eye Open: Essays on Art
Couverture souple
ISBN 10 : 022410201X ISBN 13 : 9780224102018
Editeur : Jonathan Cape, 2015

Synopsis

‘Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.’

Julian Barnes began writing about art with a chapter on Géricault’s The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism.

Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes’ essays on Géricault, Delacroix, Courbet, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l'auteur

Julian Barnes is the author of thirteen novels, including The Sense of an Ending, which won the 2011 Man Booker Prize for Fiction, and Sunday Times bestsellers The Noise of Time and The Only Story. He has also written three books of short stories, four collections of essays and three books of non-fiction, including the Sunday Times number one bestseller Levels of Life and The Man in the Red Coat, which was shortlisted for the 2019 Duff Cooper Prize. In 2017 he was awarded the Légion d'honneur.

À propos de la quatrième de couverture

'Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.'

À propos de la deuxième de couverture

'Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.'

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Jonathan Cape
Date d'édition
2015
Langue
anglais
ISBN 10 
022410201X
ISBN 13 
9780224102018
Reliure
Broché
Nombre de pages
288
Coordonnées du fabricant
non disponible
Personne responsable
non disponible