If you want to know why a good blue was so hard to find for so long, or why printed reproductions rarely match the colour of the originals, or why Rothko's canvases have changed colour in only 40 years, or just about anything else about the art and science involved in creating and using colour, "Bright Earth" is the book for you. From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums.
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Philip Ball is a freelance writer and broadcaster, and was an editor at Nature for more than twenty years. He writes regularly in the scientific and popular media and has written many books on the interactions of the sciences, the arts, and wider culture, including H2O: A Biography of Water and The Music Instinct. His book Critical Mass won the 2005 Aventis Prize for Science Books. Ball is also the 2022 recipient of the Royal Society's Wilkins-Bernal-Medawar Medal for contributions to the history, philosophy, or social roles of science. He trained as a chemist at the University of Oxford and as a physicist at the University of Bristol, and he was an editor at Nature for more than twenty years. He lives in London.
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