Tackling the myriad issues raised by Sander Gilman's provocative opening salvo--"Are Jews Musical?"--this volume's distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present.
Covering the sacred and the secular, the European and the non-European, and all the arenas where these realms converge, these essays recast the established history of Jewish culture and its influences on modernity. Mitchell Ash explores the relationship of Jewish scientists to modernist artists and musicians, while Edwin Seroussi looks at the creation of Jewish sacred music in nineteenth-century Vienna. Discussing Jewish musicologists in Austria and Germany, Pamela Potter details their contributions to the "science of music" as a modern phenomenon. Kay Kaufman Shelemay investigates European influence in the music of an Ethiopian Jewish community, and Michael P. Steinberg traces the life and works of Charlotte Salomon, whose paintings staged the destruction of the Holocaust. Bolstered by Philip V. Bohlman's wide-ranging introduction and epilogue, and featuring lush color illustrations and a complementary CD of the period's music, this volume is a lavish tribute to Jewish contributions to modernity.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Philip V. Bohlman is the Mary Werkman Distinguished Service Professor of the Humanities and of Music at the University of Chicago and coeditor of the Chicago Studies in Ethnomusicology series published by the University of Chicago Press.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Cartonato. Testo in inglese.Text in English.Con una postfazione di Sander L. Gilman.Con immagini in bianco e nero e a colori n.t. Numero di tavole: 0 pp.218 9780226063263 altezza 25 larghezza 21 Esemplare in buone condizioni.Sovraccoperta con lievi segni d'usura. Con CD rigido.Testo in inglese.Text in English. Book in good condition. N° de réf. du vendeur LIMUMU0304383-219576
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Etat : New. Tackling the myriad issues raised by Sander L Gilman's provocative opening salvo - "Are Jews Musical?" - this volume presents a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present. It recasts the established history of Jewish culture and its influences on modernity. Editor(s): Bohlman, Philip V. Num Pages: 224 pages, 19 colour plates, 8 halftones, 1 line drawing, 4 musical examples, 1 compact disc. BIC Classification: AV; JFSR1. Category: (P) Professional & Vocational. Dimension: 235 x 210 x 23. Weight in Grams: 1043. . 2009. Har/Com. Hardcover. . . . . N° de réf. du vendeur V9780226063263
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Hardcover. Etat : New. Etat de la jaquette : New. xix, 218 pages : illustrations (some color), music ; 25 cm + 1 audio disc (digital ; 4 3/4 in.). Summary:Tackling the myriad issues raised by Sander Gilmans provocative opening salvo. Are Jews Musical? this volumes distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present. N° de réf. du vendeur BGETH78
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Tackling the myriad issues raised by Sander L Gilman's provocative opening salvo - "Are Jews Musical?" - this volume presents a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present. It recasts the established history of Jewish culture and its influences on modernity. Editor(s): Bohlman, Philip V. Num Pages: 224 pages, 19 colour plates, 8 halftones, 1 line drawing, 4 musical examples, 1 compact disc. BIC Classification: AV; JFSR1. Category: (P) Professional & Vocational. Dimension: 235 x 210 x 23. Weight in Grams: 1043. . 2009. Har/Com. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780226063263
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