Articles liés à A Rhetoric of Irony
Synopsis
Book by Booth Wayne C
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Présentation de l'éditeur
Perhaps no other critical label has been made to cover more ground than "irony," and in our time irony has come to have so many meanings that by itself it means almost nothing. In this work, Wayne C. Booth cuts through the resulting confusions by analyzing how we manage to share quite specific ironies—and why we often fail when we try to do so. How does a reader or listener recognize the kind of statement which requires him to reject its "clear" and "obvious" meaning? And how does any reader know where to stop, once he has embarked on the hazardous and exhilarating path of rejecting "what the words say" and reconstructing "what the author means"?
In the first and longer part of his work, Booth deals with the workings of what he calls "stable irony," irony with a clear rhetorical intent. He then turns to intended instabilities—ironies that resist interpretation and finally lead to the "infinite absolute negativities" that have obsessed criticism since the Romantic period.
Professor Booth is always ironically aware that no one can fathom the unfathomable. But by looking closely at unstable ironists like Samuel Becket, he shows that at least some of our commonplaces about meaninglessness require revision. Finally, he explores—with the help of Plato—the wry paradoxes that threaten any uncompromising assertion that all assertion can be undermined by the spirit of irony.
Biographie de l'auteur
Wayne C. Booth (1921–2005) was the George Pullman Distinguished Service Professor at the University of Chicago. His many books include The Rhetoric of Fiction, A Rhetoric of Irony, The Power and Limits of Pluralism, The Vocation of a Teacher, and For the Love of It, all published by the University of Chicago Press.
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A Rhetoric of Irony
Edité par
University Of Chicago Press, 1975
ISBN 10 : 0226065529
ISBN 13 : 9780226065526
Ancien ou d'occasion
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Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.19. N° de réf. du vendeur G0226065529I3N00
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A Rhetoric of Irony
Edité par
University Of Chicago Press, 1975
ISBN 10 : 0226065529
ISBN 13 : 9780226065526
Ancien ou d'occasion
Couverture rigide
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
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Hardcover. Etat : Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.19. N° de réf. du vendeur G0226065529I5N01
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A Rhetoric of Irony
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University of Chicago Press, 1975
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ISBN 13 : 9780226065526
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A Rhetoric of Irony
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University of Chicago Press, 1975
ISBN 10 : 0226065529
ISBN 13 : 9780226065526
Ancien ou d'occasion
Couverture rigide
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A Rhetoric of Irony.
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Chicago, London: The University of Chicago Press, 1974
ISBN 10 : 0226065529
ISBN 13 : 9780226065526
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Vendeur : Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Allemagne
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Hardcover with dust jacket. Etat : Gut. XIV, 292 p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Schutzumschlag mit Randläsuren und kleineren Einrissen, Buchrücken ausgeblichen, Flecken auf Fußschnitt, Vorderschnitt angeschmutzt, handschriftliche Anmerkungen auf Vorsatz, sonst gut und sauber / dust jacket with edgewear and minor tears, spine faded, stains on bottom edge, fore-edge soiled, handwritten annotations on endpapers, otherwise good and clean. - Perhaps no other critical label has been made to cover more ground than "irony." The works of every major author have been called ironic, and some critics have even made irony the touchstone of all good literature. At one time, to call a work or statement ironic conveyed something definite about it. But in our time irony has come to have so many meanings that by itself it means almost nothing. In this work, Wayne C. Booth cuts through the resulting confusions by analyzing how we manage to share quite specific ironiesand why we often fail when we try to do so. How does a reader or listener recognize the kind of statement which requires him to reject its "clear" and "obvious" meaning? And how does any reader know where to stop, once he has embarked on the hazardous and exhilarating path of rejecting "what the words say" and reconstructing "what the author means"? In the first and longer part of his work, Booth deals with the workings of what he calls "stable irony," irony with a clear rhetorical intent. Unlike the twists of fate and chance that we conventionally call ironic, stable ironies are "intended, deliberately created by human beings to be heard or read and understood with some precision by other human beings." The author finds that such ironies, when they are grasped and reconstructed, produce a meeting of minds that is astonishingly precise, complex, and intense. Though the ironist risks complete failure, because he courts flat reversals of his meaning, he often earns a kind of success that has never before been fully explored. Treating such implausible knowledge of other minds, Booth is led to conclusions stimulating and helpful to the general reader, yet significant to professional critics, linguists, and philosophers who puzzle over subjects like "meaning," "intentions," "genre," "language games," "communication," and "information theory." After an extended discussion of how we can know "when to stop" in pursuing "the heady delights of ironic communion," the author turns to intended instabilitiesironies that resist interpretation and finally lead to the "infinite absolute negativities" that have obsessed criticism since the Romantic period. Booth is always ironically aware that no one can fathom the unfathomable. But by looking closely at unlimited ironists like Samuel Beckett, he shows tha at least some of our commonplaces about meaninglessness require revision. Finally, he explores with the help of Platothe wry paradoxes that threaten any uncompromising assertion that all assertion is undermined by a Supreme Ironist who is dead. / Contents PREFACE Part I. Stable Irony 1 The Ways of Stable Irony The Marks of Stable Irony Stable Irony Compared with "All Literature" The Four Steps of Reconstruction Ironic Reading as Knowledge Meaning and Significance Stable Irony and Other Figures of Speech Metaphor Allegory and Fable Puns Stable Irony and Satire 2 Reconstructions and Judgments Rival Metaphors Advantages of "Reconstruction" Required Judgments Some Pleasures and Pitfalls of Irony 3 Is It Ironic? Clues to Irony 1. Straightforward Warnings in the Author's Own Voice 2. Known Error Proclaimed 3. Conflicts of Facts within the Work 4. Clashes of Style 5. Conflicts of Belief Toward Genre: Clues in Context Part II. Learning Where to Stop 4 Essays, Satire, Parody Contexts and the Groo. N° de réf. du vendeur 1202899
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A Rhetoric of Irony
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ISBN 10 : 0226065529
ISBN 13 : 9780226065526
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A Rhetoric of Irony
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