One of the most urgent tasks for gay studies today, James Creech argues, is the retrieval of a repressed, "closeted" literary heritage. But contradictions and problems cloud even the most basic theoretical questions: What does a lesbian or gay reading of a literary text require or presume? Can we talk about a homosexual writer expressing him- or herself before the invention of "homosexuality"? Was it possible for a writer like Herman Melville, for example, to create literary works linked to his own prohibited eros?
In Closet Writing/Gay Reading, Creech shows how a literary critic can be receptive to implicit and closeted sexual content. Forcefully advocating a tactic of identification and projection in literary analysis, he lends renewed currency to the kind of "sentimental" response to literature that continental theory--particularly deconstruction--has sought to discredit. In the second half of his book, Creech sets out to analyze what he considers the exemplary novel of the nineteenth-century closet, Melville's Pierre, or: The Ambiguities. By approaching Pierre as the gay man Melville longed to have as its reader, Creech is able to decipher the novel's "encrypted erotics" and to reveal that Melville's apparent tale of incest is actually a homosexual novel in disguise. The closeted "address" to queer-sensitive readers that Pierre disseminates finally receives a critical reading that strives to be explicit, shareable, and public.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. One of the most urgent tasks for gay studies today, James Creech argues, is the retrieval of a repressed, "closeted" literary heritage. But contradictions and problems cloud even the most basic theoretical questions: What does a lesbian or gay reading of a literary text require or presume? Can we talk about a homosexual writer expressing him- or herself before the invention of "homosexuality"? Was it possible for a writer like Herman Melville, for example, to create literary works linked to his own prohibited eros? In this book, Creech shows how a literary critic can be receptive to implicit and closeted sexual content. Advocating a tactic of identification and projection in literary analysis, he lends renewed currency to the kind of "sentimental" response to literature that continental theory - particularly deconstruction - has sought to discredit. In the second half of his book, Creech sets out to analyze what he considers the exemplary novel of the 19th-century closet, Melville's "Pierre; or, The Ambiguities".By approaching "Pierre" as the gay man Melville longed to have as its reader, Creech is able to decipher the novel's "encrypted erotics" and to reveal that Melville's apparent tale of incest is actually a homosexual novel in disguise. N° de réf. du vendeur LU-9780226120225
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 1st edition. 216 pages. 8.50x5.75x0.50 inches. In Stock. N° de réf. du vendeur __0226120228
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Vendeur : Hugh Hardinge Books, Cambridge, Royaume-Uni
Soft cover. Etat : Very Good. Name and date written on half title. No other faults. N° de réf. du vendeur Z0838
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