Book by Crone Rainer Moos David
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Vendeur : HPB-Diamond, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_439789655
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Vendeur : Burke's Book Store, Memphis, TN, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Tight, clean. DJ shows light rubbing, minor sticker residue. Copiously illustrated. N° de réf. du vendeur 1039754
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Vendeur : Avol's Books LLC, Madison, WI, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Very Good. 1st Edition. Oversize. Book is Fine. Spine head of dust jacket a little crinkled, with a short tear. N° de réf. du vendeur 223664
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Vendeur : HPB-Ruby, Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_430622438
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustjacket, 230 pages, very good condition; no internal marks, clean and crisp. Foreign shipping may be extra. N° de réf. du vendeur KaMaUn20
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Vendeur : Vashon Island Books, Vashon, WA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. First Edition. Size: 4to - over 9¾" - 12" tall. Book. N° de réf. du vendeur G27285
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Vendeur : rareviewbooks, Kensington, MD, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Good. 1st Edition. Oversized hardback book (230 pages)illustrated with vintage black and white photographs and color reproductions of the artist work. Dust jacket shows scuffing/rubbing with small nicks at edge. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-E-Top-Flat) rareviewbooks. N° de réf. du vendeur RVB06282003
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Vendeur : Grendel Books, ABAA/ILAB, Springfield, MA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. Color and black and white illustrations throughout. First printing. Near fine in a near fine (one inch scratch on rear panel) dust jacket. N° de réf. du vendeur 79824
Quantité disponible : 1 disponible(s)
Vendeur : Mercantile Books, Columbus, OH, Etats-Unis
hardcover. Etat : Very Good. First Edition. First Printing. Hardcover in Dust Jacket. Pages clean, unmarked. Cover and Jacket have light wear. Small patch of sticker residue inside front cover. Shipped promptly with Tracking. MISC8. N° de réf. du vendeur MB-5B1P-M6IQ
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : New. Black cloth with white spine lettering, black glossy color illustrated dustjacket. viii, 230 pp., 155 illustrations, including 50 in color. Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the late 1920s and beyond. They convincingly demonstrate that Malevich's late representational painting, still widely misunderstood, solidifies his extraordinarily inventive stance. Against the historical background of distinctly Russian progressive cultural and scientific movements, the authors define affinities between Malevich's work and other nonpolitical revolutions: relativity and quantum theory in physics the work of Roman Jakobson and the "Prague School" in linguistics and the exploration of language in the writings of the poet Velimir Khlebnikov. They situate the artist within the fundamental epistemological shift from nineteenth-century objectivity to an all-pervasive modernist subjectivity, relying upon Malevich's contribution to illustrate the ways cultural production is mediated through various modes of transmission. Rainer Crone holds the Chair for Twentieth Century Art at Ludwig-Maximilians-Universitä ;t, Munich, and is adjunct professor of art history at Columbia University. David Moos is a doctoral candidate in art history at Columbia University. Contents as follows: Introduction: This book . and the end of experience -- 1. The question of information -- 2. Artistic positions: a critical survey -- 3. Origins of a painter -- 4. Cubo-futurism: interchanges -- 5. Passages through poetry -- 6. The edge of innovation -- 7. Subjectivity in temporality -- 8. Late sensations and the new reality -- 9. The free imaginary variation -- Exhibitions. N° de réf. du vendeur 168109
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