The Visible Word: Experimental Typography and Modern Art, 1909-1923 - Couverture rigide

Drucker, Johanna

Couverture rigide

ISBN 10 : 0226165019 ISBN 13 : 9780226165011

Editeur : University of Chicago Press, 1994

Synopsis

Early in this century, Futurist and Dada artists developed innovative uses of typography that blurred the boundaries between visual art and literature. In "The Visible Word", Johanna Drucker shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary. Drucker suggests a methodology closer to the actual practices of the early avant-garde artists, based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich; Filippo Marinetti; Guillaume Apollinaire; and Tristan Tzara.

A propos du livre

Présentation de l'éditeur

Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In The Visible Word, Johanna Drucker shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary. Drucker suggests a methodology closer to the actual practices of the early avant-garde artists, based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Few studies of avant-garde art and literature in the early twentieth century have acknowledged the degree to which typographic activity furthered debates about the very nature and function of the avant-garde. The Visible Word enriches our understanding of the processes of change in artistic production and reception in the twentieth century.

Détails de l'édition

• Éditeur: University of Chicago Press
• Date d'édition: 1994
• Langue: anglais
• ISBN 10: 0226165019
• ISBN 13: 9780226165011
• Reliure: Relié
• Nombre de pages: 306
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible