For more than thirty-five years, James Welling has explored the material and conceptual possibilities of photography. Diary/Landscape--the first mature body of work by this important contemporary artist--set the framework for his subsequent investigations of abstraction and his fascination with nineteenth- and twentieth-century New England.
In July 1977, Welling began photographing a two-volume travel diary kept by his great-grandmother Elizabeth C. Dixon, as well as landscapes in southern Connecticut. In one closely cropped image, lines of tight cursive share the page with a single ivy leaf preserved in the diary. In another snowy image, a stand of leafless trees occludes the gleaming Long Island sound. In subject and form, Welling emulated the great American modernists Alfred Stieglitz, Paul Strand, and Walker Evans--a bold move for an artist associated with radical postmodernism. At the same time, Welling's close-ups of handwriting push to the fore the postmodernist themes of copying and reproduction. A beautiful and moving meditation on family, history, memory, and place, Diary/Landscape reintroduced history and private emotion as subjects in high art, while also helping to usher in the centrality of photography and theoretical questions about originality that mark the epochal Pictures Generation. The book is published to accompany the first-ever complete exhibition of this series of pivotal photographs, now owned by the Art Institute of Chicago.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
James Welling was born in Hartford, Connecticut, in 1951 and studied art at the Wadsworth Atheneum, the West Hartford Art League, Carnegie Mellon University, and the California Institute of the Arts, where he received his MFA in 1974. His work has been the subject of survey exhibitions at the Museum of Contemporary Art, Los Angeles; the Fotomuseum Winterthur; the Hammer Museum, Los Angeles; and the Cincinnati Art Museum. His books include James Welling / The Mind on Fire, James Welling: Monograph, Glass House, and Light Sources. In 2014, he received the International Center for Photography's 2014 Infinity Award in Art and he received the 1999 DG BANK-Förderpreis Fotografie from the Sprengel Museum in Hannover. He is professor in the Department of Art at University of California, Los Angeles.
Matthew S. Witkovsky is Sandor Chair and Curator of the Department of Photography at the Art Institute of Chicago. He studied art history at Yale University and the University of Pennsylvania, where he received his PhD in 2002. He is the author of Light Years: Conceptual Art and the Photograph and Lewis Baltz Prototypes, with further essays in Etudes Photographiques, Art Bulletin, October, and other journals, as well as numerous exhibition catalogs. He is the recipient of the Kraszna-Krausz Book Award, the Vienna Art Book Award, and the Jan Masaryk Medal of the Ministry of Foreign Affairs of the Czech Republic.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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