"There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian."--Graham Greene Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief. "The experience of reading one of his novels is ...comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness--like one's own reflection seen in a green twilight."--Margaret Parton, New York Herald Tribune
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It is still a man's world in Malgudi. And that is where docile and obedient Savitri has endured more than her fair share of humiliations in her long-standing marriage. But even she knows when her bullying husband has gone too far.For when Ramani insists on taking on an elegant new employee for the Engladia Insurance Company, Savitri recognises more than a professional interest in the woman. Her first resort is to try to ignore it. And her last resort is only just forestalled by a passing burglar...
R K Narayan's writing spans the greatest period of change in modern Indian history, from the days of the Raj - SWAMI AND FRIENDS (1935), THE BATCHELOR OF ARTS (1937) and THE ENGLISH TEACHER (1945) - to recent years of political unrest - THE PAINTER OF SIGNS (1976), A TIGER FOR MALGUDI (19830, TALKATIVE MAN (1987).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Soft cover. Etat : Good. First thus edition. Trade paperback. Good. 12mo. General wear to covers. Prev owner's gift inscription, in pencil, half-title page. 210 pages. N° de réf. du vendeur 033714
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Vendeur : Catron Grant Books, Rio Rancho, NM, Etats-Unis
Paperback. Etat : Very Good. No Jacket. University of Chicago Press, 1981 Text is clean, tight and unmarked. There is a small tear on the flyleaf. Cover is VG with only the lightest of shelf wear. Trade Paperback. Very Good/No Jacket. N° de réf. du vendeur 000408
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