Opera often seems to arouse either irrational enthusiasm or visceral dislike. Such madness, as Goethe wrote, is indispensable in all theater, and yet in practice, sentiment and passion must be balanced by sense and reason. Exploring this tension between madness and reason, Not without Madness presents new analytical approaches to thinking about eighteenth- and nineteenth-century opera through the lenses of its historical and cultural contexts. In these twelve essays, Fabrizio Della Seta explores the concept of opera as a dramatic event and an essential moment in the history of theater. Examining the meaning of opera and the devices that produce and transmit this meaning, he looks at the complex verbal, musical, and scenic mechanisms in parts of La sonnambula, Ernani, Aida, Le nozze di Figaro, Macbeth, and Il trovatore. He argues that approaches to the study of opera must address performance, interpretation, composition, reception, and cultural ramifications. Purely musical analysis does not make sense unless we take into account music's dramatic function. Containing many essays available for the first time in English, Not without Madness bridges recent divisions in opera studies and will attract musicologists, musicians, and opera lovers alike.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Fabrizio Della Seta is professor of music history and musical philology in the Facoltà di Musicologia at the University of Pavia in Cremona, Italy.
Mark Weir is lecturer in English and English translation at the University of Naples, L'Orientale.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0226749142I4N10
Quantité disponible : 1 disponible(s)
Vendeur : McCord Books, NORWALK, IA, Etats-Unis
hardcover. Etat : As New. Looks like new! N° de réf. du vendeur 241001002
Quantité disponible : 1 disponible(s)
Vendeur : INDOO, Avenel, NJ, Etats-Unis
Etat : New. Brand New. N° de réf. du vendeur 9780226749143
Quantité disponible : Plus de 20 disponibles
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Presents new analytical approaches to thinking about eighteenth - and nineteenth-century opera through the lenses of its historical and cultural contexts. This title explores the concept of opera as a dramatic event and an essential moment in the history of theater. Translator(s): Weir, Mark. Num Pages: 328 pages, 37 musical examples, 8 tables. BIC Classification: AVC; AVGC9. Category: (G) General (US: Trade). Dimension: 235 x 165 x 24. Weight in Grams: 578. . 2012. Hardback. . . . . N° de réf. du vendeur V9780226749143
Quantité disponible : 15 disponible(s)
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Presents new analytical approaches to thinking about eighteenth - and nineteenth-century opera through the lenses of its historical and cultural contexts. This title explores the concept of opera as a dramatic event and an essential moment in the history of theater. Translator(s): Weir, Mark. Num Pages: 328 pages, 37 musical examples, 8 tables. BIC Classification: AVC; AVGC9. Category: (G) General (US: Trade). Dimension: 235 x 165 x 24. Weight in Grams: 578. . 2012. Hardback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780226749143
Quantité disponible : 15 disponible(s)
Vendeur : moluna, Greven, Allemagne
Etat : New. KlappentextPresents new analytical approaches to thinking about eighteenth - and nineteenth-century opera through the lenses of its historical and cultural contexts. This title explores the concept of opera as a dramatic event and an ess. N° de réf. du vendeur 867653024
Quantité disponible : Plus de 20 disponibles