Leo Steinberg is the rare art historian who has known the political pressures implicit in reviewing the work of living artists. In his engrossing lecture, filled with exciting insights and personal memories, he surveys the career of Robert Rauschenberg, one of the great American postwar artists. Beginning with his own experience as a moonlighting critic in the turbulent art world of New York in the 1950s and 1960s, he reveals much about himself and more about the insolent originality of the young Rauschenberg. With the sharpness and confidence of one who championed Rauschenberg's work in its beginnings and has pondered it ever since, Steinberg offers in-depth discussions of such major challenges as the "Erased de Kooning Drawing", "Bed" and "Monogram". Where his interpretations differ from those of other critics, he shows how, and why. And he reflects candidly on his own change of mind over the years. Rauschenberg's crucial role in exploding earlier limits of art - "letting the world in again" -is demonstrated with fresh argument and precision. Where some of Rauschenberg's more recent work leaves him unmoved, or resistant, Steinberg is ready to say so. Steinberg warns against the modish enthusiasm that now loads Rauschenberg's work with murderous symbolism or same-sex iconography. He argues that meaning in this artist's work is almost unspeakable, and the novel relationship established between the work and viewer more subtly intentioned.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Etat : Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. N° de réf. du vendeur 00098938399
Quantité disponible : 1 disponible(s)
Vendeur : HPB-Diamond, Dallas, TX, Etats-Unis
paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_441329600
Quantité disponible : 1 disponible(s)
Vendeur : Goodwill Southern California, Los Angeles, CA, Etats-Unis
Etat : good. Paperback Book. N° de réf. du vendeur LACV.0226771830.G
Quantité disponible : 1 disponible(s)
Vendeur : Half Price Books Inc., Dallas, TX, Etats-Unis
Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_452879585
Quantité disponible : 1 disponible(s)
Vendeur : Goodbookscafe, Macon, GA, Etats-Unis
Etat : good. Used may have minimal highlights, annotations, creases, curled corners, writing on some pages, discoloration, dust from shelves, may need batteries. N° de réf. du vendeur MGV.0226771830.G
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 15329934-20
Quantité disponible : 1 disponible(s)
Vendeur : Murphy-Brookfield Books, Iowa City SE, IA, Etats-Unis
Paperback. Etat : Near Fine. clean, unmarked copy. N° de réf. du vendeur 366193
Quantité disponible : 1 disponible(s)
Vendeur : Miranda Books & Ephemera, Easthampton, MA, Etats-Unis
paperback. Etat : As New. First Edition. FIRST edition, first printing. Spine free of stress and creasing -- appears unread. Fine. Unmarked. N° de réf. du vendeur 2408280021
Quantité disponible : 1 disponible(s)
Vendeur : Sam's Books, St. Petersburg, FL, Etats-Unis
Paperback. Etat : Very Good. Octavo, softcover, 75 pp. Photographs. Light edge wear. N° de réf. du vendeur 12329
Quantité disponible : 1 disponible(s)
Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Paperback. Etat : Fine. 1st. vii, 75 pages, illustrations (chiefly colour); 25 cm. Firm binding, clean inside copy. First paperback edition. *** "In his insightful and engrossing lecture, Leo Steinberg surveys and critiques the work of Robert Rauschenberg, one of the great American post-war artists. He also discusses his own experience as a critic in the exciting and turbulent art world of New York in the 1950s and 1960s. The result is a rare glimpse not only into Rauschenberg, but also into Steinberg. With the sharpness and confidence that can only come from a critic who has long been involved with Rauschenberg's work, Steinberg offers an in-depth discussion of such major pieces as the Erased DeKooning Drawing, Bed, and Monogram. He explains the subtle differences between his interpretations and those of other critics, such as Clement Greenberg and Hilton Kramer. He candidly reflects on how he has changed his mind over the years, and defends his new ideas about Rauschenberg's work with precise, fresh arguments. He critically evaluates Rauschenberg's more recent work and addresses how it falls short from the artist's earlier work. From Rauschenberg's silk-screen prints of the 1960s to the vegetable dye transfer prints of the 1990s, Steinberg warns against the dangers of overinterpretation and iconographic enthusiasm. He argues that the unifying strand through this great artist's work is his drive to appropriate, to take objects and images from the world and make them his own by making them become a part of his art. Provocative, intelligent, and beautifully articulated, Steinberg's words shed light on one remarkable artist and on the post-war New York art scene, on Steinberg's particular appreciation of Rauschenberg and on his life's work as an art critic. / Leo Steinberg is Benjamin Franklin Professor Emeritus at the University of Pennsylvania." - Publisher. Size: 8vo. N° de réf. du vendeur 116767
Quantité disponible : 1 disponible(s)