Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram--a single film frame--and the illusion of motion we recognize as the movies?
In this ambitious, sophisticated study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce, and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze, and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola, and beyond. To locate the exact repercussions of such effects, Stewart includes over three hundred frame enlargements drawn from genres as different as science fiction, film noir, and recent Victorian costume drama.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Garrett Stewart is the James O. Freedman Professor of Letters in the Department of English at the University of Iowa and the author of numerous books on fiction and film.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Very Good. Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram - a single film frame - and the illusion of motion one recognizes as the movies? In this study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola and beyond. To locate the exact repercussions of such effects, Stewart includes over 300 frame enlargements drawn from genres as different as science fiction, film noir and recent Victorian costume drama. N° de réf. du vendeur 00108524706
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Very Good. Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram - a single film frame - and the illusion of motion one recognizes as the movies? In this study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola and beyond. To locate the exact repercussions of such effects, Stewart includes over 300 frame enlargements drawn from genres as different as science fiction, film noir and recent Victorian costume drama. N° de réf. du vendeur CIN0226774120VG
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0226774120I3N00
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Vendeur : Film and Theory Books, San Francisco, CA, Etats-Unis
Soft cover. Etat : Fair. 1st Edition. Used, with writing on several pages, but smart stuff! N° de réf. du vendeur 0021
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Vendeur : Chapter 2 Books, Winona, MN, Etats-Unis
Hardcover. Etat : Good. No Jacket. 1st Edition. No dust jacket. Blue cloth cover. No underlining, notes, or highlighting. N° de réf. du vendeur ABE-1717624511205
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Vendeur : Black Cat Books, Shelter Island, NY, Etats-Unis
Soft cover. Etat : Very Good. 1st Edition. 1st edition. Paperback. N° de réf. du vendeur A101191
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Vendeur : TotalitarianMedia, Los Angeles, CA, Etats-Unis
Soft cover. Etat : Fine. No Jacket. 1st Edition. Between Film and Screen: Modernism's Photo Synthesis. Stewart, Garrett. Published by University of Chicago Press (1999) 386p. trade paperback, covers clean/square, binding tight, text clean/unmarked, fine condition--ISBN 10: 0226774120ISBN 13: 9780226774121--13.00. N° de réf. du vendeur ABE-1619565675112
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Vendeur : HPB-Ruby, Dallas, TX, Etats-Unis
paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_483742330
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Vendeur : Sequitur Books, Boonsboro, MD, Etats-Unis
Paperback. Etat : As New. Softcover. Good binding and cover. Light wear. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US. N° de réf. du vendeur 2003100065
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9780226774121. N° de réf. du vendeur 9980899
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