One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious--surrealist automatism, Freudian psychoanalysis, the concept of history as trauma--to examine how Ernst's construction of collage departs from other modern artists. Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had forged--rubbing and scraping to bring images forth onto a sheet of paper or canvas to simulate how a screen image or memory comes into the mind's view. In addition, Ernst scoured the past for obsolete scientific illustrations and odd advertisements to illustrate the rapidity with which time passes and to simulate the apprehension generated when rapid flows of knowledge turn living culture into artifact. Ultimately, Ubl reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Shedding new light on Ernst's working methods and the reasons that his pieces continue to imprint themselves in viewers' memories, Prehistoric Future is an innovative work of critical writing on a key figure of surrealism.
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Ralph Ubl is professor of art history at the University of Basel in Switzerland.
Elizabeth Tucker translates German with a specialization in the history and theory of art and architecture. Recent books include Las Vegas in the Rearview Mirror and Cindy Sherman: The Early Works, 1975-1977: Catalogue Raisonnée. She lives in Brooklyn, NY.
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Vendeur : INDOO, Avenel, NJ, Etats-Unis
Etat : New. Brand New. N° de réf. du vendeur 9780226823720
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. This title reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Translator(s): Tucker, Elizabeth. Num Pages: 248 pages, 4 color plates, 60 halftones. BIC Classification: ACXD7; AFC; AGB. Category: (G) General (US: Trade). Dimension: 254 x 178 x 25. Weight in Grams: 885. . 2013. Hardback. . . . . N° de réf. du vendeur V9780226823720
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 247 pages. 9.50x7.50x1.00 inches. In Stock. N° de réf. du vendeur 0226823725
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. This title reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Translator(s): Tucker, Elizabeth. Num Pages: 248 pages, 4 color plates, 60 halftones. BIC Classification: ACXD7; AFC; AGB. Category: (G) General (US: Trade). Dimension: 254 x 178 x 25. Weight in Grams: 885. . 2013. Hardback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780226823720
Quantité disponible : 15 disponible(s)