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Needle Work: A History of Commercial Tattooing in Canada - Couverture rigide

 
9780228021988: Needle Work: A History of Commercial Tattooing in Canada

Synopsis

In 1891 J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients. From this early example of tattooing as work, Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing’s place within wider society, Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career. Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered.

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À propos de l?auteur

Jamie Jelinski is lecturer in visual culture in the Department of Communication and Media at the University of Liverpool.

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9780228025078: Needle Work: A History of Commercial Tattooing in Canada Volume 44

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ISBN 10 :  0228025079 ISBN 13 :  9780228025078
Editeur : McGill-Queen's University Press, 2025
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Jelinski, Jamie
ISBN 10 : 0228021987 ISBN 13 : 9780228021988
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Hardback. Etat : New. In 1891 J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients.From this early example of tattooing as work, Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing's place within wider society, Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career.Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered. N° de réf. du vendeur LU-9780228021988

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Hardback. Etat : New. In 1891 J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients.From this early example of tattooing as work, Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing's place within wider society, Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career.Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered. N° de réf. du vendeur LU-9780228021988

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Hardback. Etat : New. In 1891 J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients.From this early example of tattooing as work, Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing's place within wider society, Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career.Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered. N° de réf. du vendeur LU-9780228021988

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Hardback. Etat : New. In 1891 J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients.From this early example of tattooing as work, Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing's place within wider society, Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career.Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered. N° de réf. du vendeur LU-9780228021988

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