Through incisive readings of ten poets from William Wordsworth to Alice Oswald, this book shows how poets have engaged with the possibilities and pitfalls of memory. Linking poets' uses of personal, aesthetic, and collective memory, as well as history, the book provides a new critical template for understanding how literature engages with the past.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
CHARLES I. ARMSTRONG is Professor of British Literature at the University of Bergen, Norway. He has previously published Romantic Organicism: From Idealist Origins to Ambivalent Afterlife.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. N° de réf. du vendeur M0230223532Z3
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In. N° de réf. du vendeur ria9780230223530_new
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Through incisive readings of ten poets from William Wordsworth to Alice Oswald, this book shows how poets have engaged with the possibilities and pitfalls of memory. Linking poets' uses of personal, aesthetic, and collective memory, as well as history, the book provides a new critical template for understanding how literature engages with the past. 244 pp. Englisch. N° de réf. du vendeur 9780230223530
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Through incisive readings of ten poets from William Wordsworth to Alice Oswald, this book shows how poets have engaged with the possibilities and pitfalls of memory. Linking poets' uses of personal, aesthetic, and collective memory, as well as history, the book provides a new critical template for understanding how literature engages with the past. Num Pages: 253 pages, biography. BIC Classification: 2AB; DSC; JMRM. Category: (P) Professional & Vocational. Dimension: 226 x 167 x 19. Weight in Grams: 442. . 2009. 2009th Edition. hardcover. . . . . N° de réf. du vendeur V9780230223530
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 2009 edition. 264 pages. 8.50x5.50x0.75 inches. In Stock. N° de réf. du vendeur x-0230223532
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Through incisive readings of ten poets from William Wordsworth to Alice Oswald, this book shows how poets have engaged with the possibilities and pitfalls of memory. Linking poets' uses of personal, aesthetic, and collective memory, as well as history, the book provides a new critical template for understanding how literature engages with the past. Num Pages: 253 pages, biography. BIC Classification: 2AB; DSC; JMRM. Category: (P) Professional & Vocational. Dimension: 226 x 167 x 19. Weight in Grams: 442. . 2009. 2009th Edition. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780230223530
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Through incisive readings of ten poets from William Wordsworth to Alice Oswald, this book shows how poets have engaged with the possibilities and pitfalls of memory. Linking poets' uses of personal, aesthetic, and collective memory, as well as history, the book provides a new critical template for understanding how literature engages with the past. N° de réf. du vendeur 9780230223530
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Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. N° de réf. du vendeur 458408734
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