Articles liés à Performance Perspectives: A Critical Introduction
Synopsis
What is 'performance'? What are the boundaries of Performance Studies? How do we talk about contemporary performance practices today in simple but probing terms? What kinds of practices represent the field and how can we interpret them?
Combining the voices of academics, artists, cultural critics and teachers, Performance Perspectives answers these questions and provides a critical introduction to Performance Studies. Presenting an accessible way into key terminology and context, it offers a new model for analyzing contemporary performance based on six frames or perspectives:
- Body
- Space
- Time
- Technology
- Interactivity
- Organization
Drawing on examples from a wide range of practices across site specific performance, virtual reality, dance, applied theatre and everyday performance, Performance Perspectives addresses the binary of theory and practice and highlights the many meeting points between studio and seminar room. Each chapter takes the innovative form of a three-way conversation, bringing together theoretical introductions with artist interviews and practitioner statements. The book is supported by activities for discussion and practical devising work, as well as clear guidance for further reading and an extensive reference list across media
Performance Perspectives is essential reading for anyone studying, interpreting or making performance.
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À propos des auteurs
Jonathan Pitches is Professor of Theatre and Performance in the School of Performance and Cultural Industries at the University of Leeds, UK. He specialises in the study of performer training and has wider interests in intercultural performance, environmental performance and blended learning. He is founding co-editor of the journal of Theatre, Dance and Performance Training and has published several books in this area: Vsevolod Meyerhold (2003), Science and the Stanislavsky Tradition of Acting (2006/9) Russians in Britain (2012) and Stanislavsky in the World (with Dr Stefan Aquilina 2017). He is currently working on two new book projects, Great Stage Directors Vol 3: Komisarjevsky, Copeau, Guthrie (2017) and Performing Landscapes: Mountains (2018), supported by the AHRC.
SITA POPAT is Head of the School of Performance and Cultural Industries and Senior Lecturer in Dance at the University of Leeds, UK.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Performance Perspectives: A Critical Introduction
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SPRINGER NATURE, 2011
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Performance Perspectives: A Critical Introduction
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Performance Perspectives: A Critical Introduction
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Each chapter takes the innovative form of a threeway conversation, combining the voices of experienced academics, artists, cultural critics and teachersAddressing the binary of theory and practice, material is designed with accompanying activities a. N° de réf. du vendeur 458409601
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Performance Perspectives: A Critical Introduction
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Macmillan Education UK, 2011
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Performance Perspectives : A Critical Introduction
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Buch. Etat : Neu. Neuware - What is 'performance' What are the boundaries of Performance Studies How do we talk about contemporary performance practices today in simple but probing terms What kinds of practices represent the field and how can we interpret them Combining the voices of academics, artists, cultural critics and teachers, Performance Perspectives answers these questions and provides a critical introduction to Performance Studies. Presenting an accessible way into key terminology and context, it offers a new model for analyzing contemporary performance based on six frames or perspectives: Body Space Time Technology Interactivity OrganizationDrawing on examples from a wide range of practices across site specific performance, virtual reality, dance, applied theatre and everyday performance, Performance Perspectives addresses the binary of theory and practice and highlights the many meeting points between studio and seminar room. Each chapter takes the innovative form of a three-way conversation, bringing together theoretical introductions with artist interviews and practitioner statements. The book is supported by activities for discussion and practical devising work, as well as clear guidance for further reading and an extensive reference list across mediaPerformance Perspectives is essential reading for anyone studying, interpreting or making performance. N° de réf. du vendeur 9780230243453
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Performance Perspectives
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