Présentation de l'éditeur
This essay undertakes to treat the history of literary criticism in the Eenaissance. The three sections into which the essay is divided are devoted, respectively, to Italian criticism from Dante to Tasso, to French criticism from Du Bellay to Boileau, and to English criticism from Ascham to Milton; but the critical activity of the sixteenth century has been the main theme, and the earlier or later literature has received treatment only in so far as it serves to explain the causes or consequences of the critical development of this central period. It was at this epoch that modern criticism began, and that the ancient ideals of art seemed once more to sway the minds of men; so that the history of sixteenth-century criticism must of necessity include a study of the beginnings of critical activity in modern Europe and of the gradual introduction of the Aristotelian canons into modem literature. This study has been made subservient, more particularly, to two specific purposes.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Présentation de l'éditeur
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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