Focusing on the work of four contemporary filmmakers--Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang--the authors explore how these filmmakers broke from tradition, creating a cinema that is both personal and insistent on examining Taiwan's complex history. Featuring stills, anecdotes, and close readings of films, the authors consider the influence of Hong Kong and martial arts films, directors' experiments with autobiography, the shifting fortunes of the Taiwanese film industry, and Taiwan cinema in the context of international cinema's aesthetics and business practices.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Emilie Yueh-yu Yeh is associate professor of cinema studies in the Department of Cinema-Television and associate director of the David C. Lam Institute for East-West Studies at Hong Kong Baptist University. She is the author of Phantom of the Music: Song and Narration in Chinese-language Cinema and the coeditor of Chinese-Language Film: Historiography, Poetics, Politics.
Darrell William Davis is senior lecturer at the School of Theatre, Film, and Dance at the University of New South Wales, Sydney. He is the author of Picturing Japaneseness: Monumental Style, National Identity, Japanese Film.Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. This is a well-illustrated, in-depth study of Taiwanese film and its most celebrated film directors. Focusing on extraordinarily rich work of four contemporary film makers - Ang Lee, Edward Yang, Hou Hsiao- hsien and Tsai Ming-liang, the authors explore how these filmmakers broke from tradition. Davis at Uni of New South Wales. Series: Film and Culture Series. Num Pages: 312 pages, 61halftones. BIC Classification: 1FPCW; APFB. Category: (P) Professional & Vocational. Dimension: 216 x 165 x 17. Weight in Grams: 544. . 2005. Paperback. . . . . N° de réf. du vendeur V9780231128995
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