If Elvis Presley was a white man who sang in a predominantly black style, Johnny Ace was a black man who sang in a predominantly white one. His soft, crooning "heart ballads" took the black record-buying public by storm in the early 1950s, and he was the first postwar solo black male rhythm and blues star signed to an independent label to attract a white audience. His biggest hit, "Pledging My Love," was at the top of the R&B charts when he died playing Russian roulette in his dressing room between sets at a packed "Negro Christmas dance" in Houston.This first comprehensive treatment of an enigmatic, captivating, and influential performer takes the reader to Beale Street in Memphis and to Houston's Fourth Ward, both vibrant black communities where the music never stopped. Following key players in these two hot spots, James Salem constructs a multifaceted portrait of postwar rhythm and blues, when American popular music (and society) was still clearly segregated. Among the many colorful characters who knew and worked with Johnny Ace-including B. B.King, Johnny Otis, Willie Mae "Big Mama" Thornton, and Clarence "Gatemouth" Brown-none exerted more influence on his career than the promoter and entrepreneur Don D. Robey.It was Robey and his sometime wife Evelyn Johnson who transformed John Marshall Alexander Jr. into the heartthrob Johnny Ace and promoted him to the top of the R&B charts. But the price of fame was a grueling life of touring on the "chitlin circuit," where successive one-night stands might be 800 miles apart and musicians performed more than 340 days a year. Johnny Ace's career lasted barely eighteen months, yet musicians from Bob Dylan to Paul Simon have acknowledged their debt to him. Ace's inimitable delivery ushered in a fusion of black and white styles that set the stage for rock 'n' roll and changed American popular music forever.
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Vendeur : DO NOT START, Grand Rapids, MI, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Very good, clean, tight condition. First printing. Text free of marks. If Elvis Presley was a white man who sang in a predominantly black style, Johnny Ace was a black man who sang in a predominantly white one. His soft, crooning "heart ballads" took the black record-buying public by storm in the early 1950s, and he was the first postwar solo black male rhythm and blues star signed to an independent label to attract a white audience. His biggest hit, "Pledging My Love," was at the top of the R&B charts when he died playing Russian roulette in his dressing room between sets at a packed "Negro Christmas dance" in Houston.This first comprehensive treatment of an enigmatic, captivating, and influential performer takes the reader to Beale Street in Memphis and to Houston's Fourth Ward, both vibrant black communities where the music never stopped. Following key players in these two hot spots, James Salem constructs a multifaceted portrait of postwar rhythm and blues, when American popular music (and society) was still clearly segregated. Among the many colorful characters who knew and worked with Johnny Ace-including B. B.King, Johnny Otis, Willie Mae "Big Mama" Thornton, and Clarence "Gatemouth" Brown-none exerted more influence on his career than the promoter and entrepreneur Don D. Robey.It was Robey and his sometime wife Evelyn Johnson who transformed John Marshall Alexander Jr. into the heartthrob Johnny Ace and promoted him to the top of the R&B charts. But the price of fame was a grueling life of touring on the "chitlin circuit," where successive one-night stands might be 800 miles apart and musicians performed more than 340 days a year. Johnny Ace's career lasted barely eighteen months, yet musicians from Bob Dylan to Paul Simon have acknowledged their debt to him. Ace's inimitable delivery ushered in a fusion of black and white styles that set the stage for rock 'n' roll and changed American popular music forever. N° de réf. du vendeur ABE-1789405475726
Quantité disponible : 1 disponible(s)
Vendeur : 3rd St. Books, Lees Summit, MO, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Very good, clean, tight condition. First printing. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged. N° de réf. du vendeur 086100
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Vendeur : Wonder Book, Frederick, MD, Etats-Unis
Etat : Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. N° de réf. du vendeur K01M-00713
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Vendeur : Books From California, Simi Valley, CA, Etats-Unis
Hardcover. Etat : Good. N° de réf. du vendeur mon0004108191
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Vendeur : HPB-Emerald, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_470464936
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Vendeur : Callaghan Books South, New Port Richey, FL, Etats-Unis
Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. Large, sturdy book, black covers, bright gilt lettering on spine, yellow color inside covers and adjacent end papers, 274 pages, biographical note and catalogi for Music in America series, includes a photo section. DJ glossy dark red spine, two photos on front, one gray-tinted, the other purple, dark red bar design at middle front left, gray at top back half. DJ and book, both As New. N° de réf. du vendeur 060100
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