Chicana Traditions features essays from professionals engaged with a broad and ever-expanding Chicana expressive culture. Professors and students, performing artists and folklorists, and archivists and activists merge personal experience with formal discussion to share fascinating inside stories. The topics include a professional woman mariachi performer; the creation and evolution of the escaramuza charra (all-female precision riding team) within the male-dominated Mexican rodeo; the ranchera music of the transnational performer Lydia Mendoza, the complex crossover of Selena's Tejano music, and the bottle cap and jar lid art of Goldie Garcia.
An eye-opening journey through a borderland where cultures and identities converge, Chicana Traditions reveals how Chicanas continue to invent, reshape, and transcend their traditional culture.
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Norma E. Cantú is a professor emerita of English at the University of Texas at San Antonio. She is the author of Canícula: Snapshots of a Girlhood en la Frontera and coeditor of meXicana Fashions: Politics, Self-Adornment, and Identity Construction. Olga Nájera-Ramírez is a professor of anthropology at the University of California at Santa Cruz. She is the author of La Fiesta de los Tastoanes: Critical Encounters in a Mexican Festival Performance and the writer, director, and producer of the award-winning documentary La Charreada: Rodeo a la Mexicana.
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