This collection of essays and interviews explores modern-dance technique training from the last 50 years. Focusing on the culture of dance, editors Bales and Nettl-Fiol examine a choreographic process and style, dancer agency and participation in the creative process, and changes in the role and purpose of training.
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Glenna Batson is a movement muse, educator, and mentor who has worked at the intersection of dance, movement science, and somatic education for more than five decades.
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