"Heretofore scholars have not been willing--perhaps, even been unable for many reasons both academic and personal--to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." --Jim Elledge
This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent--the only "out" gay Harlem Renaissance artist--portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
A. B. Christa Schwarz is an independent scholar and lives in Germany.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countze Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving-men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent the only "out" gay Harlem Renaissance artist portrayed men-loving-men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing. Explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. This work focuses on Countze Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780253216076
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Paperback. Etat : New. "Heretofore scholars have not been willing-perhaps, even been unable for many reasons both academic and personal-to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." -Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent-the only "out" gay Harlem Renaissance artist-portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing. N° de réf. du vendeur LU-9780253216076
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Paperback or Softback. Etat : New. Gay Voices of the Harlem Renaissance. Book. N° de réf. du vendeur BBS-9780253216076
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