Despite the long history of music in film, its serious academic study is still a relatively recent development and therefore comprises a limited body of work. The contributors to this book, drawn from both film studies and musicology, attempt to rectify this oversight by investigating film music from the vibrant, productive, politically charged period before World War II. They apply a variety of methodologies-including archival work, close readings, political histories, and style comparison-to this under explored field.
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Phil Powrie is Professor of French Cultural Studies at the University of Newcastle upon Tyne. Most recently, he is co-author (with Bruce Babington, Ann Davies, and Chris Perriam) of Carmen on Film: A Cultural History (IUP, 2007).
Robynn Stilwell is Assistant Professor of Music in the Department of Art, Music and Theatre at Georgetown University. She is co-editor (with Phil Powrie) of Changing Tunes: The Use of Pre-existing Music in Film.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. An innovative look into the intersection of film and music in Russia and Germany Editor(s): Powrie, Phil; Stilwell, Robynn J. Num Pages: 10 b&w illus. BIC Classification: 1DFG; 1DVU; APF; AV. Category: (P) Professional & Vocational. Dimension: 5969 x 3963 x 14. Weight in Grams: 345. . 2007. Paperback. . . . . N° de réf. du vendeur V9780253219541
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Etat : New. An innovative look into the intersection of film and music in Russia and Germany Editor(s): Powrie, Phil; Stilwell, Robynn J. Num Pages: 10 b&w illus. BIC Classification: 1DFG; 1DVU; APF; AV. Category: (P) Professional & Vocational. Dimension: 5969 x 3963 x 14. Weight in Grams: 345. . 2007. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780253219541
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