"Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming . . . based this consideration of the sources of musical expression on her experiences as a performer--with interesting, if rarely surprising, results." --Choice
Using classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of the work, but of the performer as well--and how the listener goes about interpreting not only the composer's work and the performer's rendering of the work, but also of the performer's and listener's identities. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Naomi Cumming was a fine violinist and music theorist. She published a host of journal articles and lectured internationally on the philosophy, psychology, and semiotics of music; her article on musical semiotics will appear in the Revised New Grove Dictionary of Music and Musicians. She was a Fulbright fellow at Columbia University, a research fellow in music theory at the Department of Philosophy of the University of Melbourne, and recipient of an award from the Society for Music Theory in 1998.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 39334902-6
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Vendeur : Mercantile Books, Columbus, OH, Etats-Unis
hardcover. Etat : Very Good. Hardcover in dust jacket. Pages clean, unmarked. Cover and jacket have light wear. Shipped promptly with tracking. HC3-1. N° de réf. du vendeur 001772
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 484605-n
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Vendeur : BargainBookStores, Grand Rapids, MI, Etats-Unis
Hardback or Cased Book. Etat : New. The Sonic Self: Musical Subjectivity and Signification. Book. N° de réf. du vendeur BBS-9780253337542
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780253337542. N° de réf. du vendeur 2289247
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9780253337542
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. "Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming . . . based this consideration of the sources of musical expression on her experiences as a performer-with interesting, if rarely surprising, results." -Choice Using classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of the work, but of the performer as well-and how the listener goes about interpreting not only the composer's work and the performer's rendering of the work, but also of the performer's and listener's identities. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives. N° de réf. du vendeur LU-9780253337542
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Vendeur : GoldBooks, Denver, CO, Etats-Unis
Hardcover. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 13O31_65_0253337542
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