What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the public sphere. Hannah Arendt's imperative of worldliness plays a pivotal role in Baird's reading of what has come to be called architecture's belief system. It is not enough, he argues, to reject the totalizing models of publicness that have been typical both of modernism and of many of its postmodern successors. Rather, he insists, it is necessary to construct a "space of appearance" that is large and diverse enough to make places for all of us. Baird stakes out clearly and sharply the recent history of ideas that bear on the field, recovering influences and ideas that have been omitted from standard histories of modernism and building an understanding of our present dilemmas that is constructive and critically informed. The period from 1960 to the present has seen the collapse of the conditions that shored up modern architecture, as conventionally understood, and has also seen modernism succeeded by a whole series of tentative alternatives, none of which has successfully achieved the decisive legitimization modernism once held. After an extended introduction that situates architecture's current dilemmas within the broader currents of cultural theory, The Space of Appearance focuses on specific historical episodes or developments. Each chapter outlines a different controversy or series of controversies, or depicts the gradual and insidious erosion of certain firmly held beliefs. Each chapter is also structured around a conceptual account of issues that have evolved in the trajectory of contemporary cultural theory since the key interventions of Arendt in the 1950s.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
George Baird is Partner in Baird/Sampson Architects in Toronto and Professor of Architecture at Harvard University's Graduate School of Design.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Bay State Book Company, North Smithfield, RI, Etats-Unis
Etat : very_good. N° de réf. du vendeur BSM.16MD8
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Used - Very Good. Combining history, theory, and polemic, George Baird probes the conceptual lineage and current expressions of postmodernism and the critique of modernist architecture over the past four decades, revealing the general failure to develop an architecture that is politically engaged and affirmative of the public sphere. Hannah Arendt's imperative of worldliness plays a pivotal role in Baird's reading of what has come to be called architecture's belief system. It is not enough, he argues, to reject the totalizing models that have been typical both of modernism and of many of its postmodern successors. Rather it is necessary to construct a public 'space of appearance' that is large and diverse enough to make places for all of us. Baird stakes out clearly and sharply the recent history of ideas that bear on the field, recovering influences and ideas that have been omitted from standard histories of modernism. The period since 1960 has seen the collapse of the conditions that shored up modern architecture, as conventionally understood, and has also seen modernism succeeded by a whole series of tentative alternatives, none of which has successfully achieved the decisive legitimacy that modernism once held. After an introduction that situates architecture's current dilemmas within the broader currents of cultural theory, The Space of Appearance focuses on specific historical episodes or developments. Each chapter outlines a different controversy or series of controversies, or depicts the gradual and insidious erosion of certain firmly held architectural beliefs. Each chapter is also structured around a conceptual account of issues that have evolved in contemporary cultural theory since theinterventions of Arendt in the 1950s. George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades. Very nice clean, tight copy free of any marks. 2 inch scrape on back dj. N° de réf. du vendeur 329539
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Vendeur : City Lights Bookshop, London, ON, Canada
Hardcover. Etat : Very Good. Etat de la jaquette : Near Fine. 1st Edition. Light wear to edges of jacket. Previous owner's mark in ink to front endpaper. Binding appears a little cracked in gutters of title page, possibly a production defect. Nothing loose. Underlining and occasional note to a few dozen pages. N° de réf. du vendeur ABE-1765479246278
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Vendeur : Shaker Mill Books, W. Stockbridge, MA, Etats-Unis
Hardcover. Etat : Good. Etat de la jaquette : Very Good. illustrated (illustrateur). Clean, colorful DJ is lightly rubbed at edges. Boards are well-bound, both front & rear panels have vertical creases, the front worse than the rear; first signature is pulling away from binding, but is secure. pages clean & sharp throughout. Includes review materials. N° de réf. du vendeur WS24522
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Vendeur : Priceless Books, Urbana, IL, Etats-Unis
Hb. Etat : VG. Etat de la jaquette : VG. 1st. 395 pp., index, illustrated. Light wear. DJ: rubbing, light edge wear. N° de réf. du vendeur 130244
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardbound. Etat : VG+/VG+. Blue boards with black cloth spine and dark bluish pictorial dustjacket. XII, 393 pp., many bw illustrations and plans. After an extended introduction that situates architecture's current dilemmas within the broader currents of cultural theory, The Space of Appearance focuses on specific historical episodes or developments. Each chapter outlines a different controversy or series of controversies, or depicts the gradual and insidious erosion of certain firmly held beliefs. Each chapter is also structured around a conceptual account of issues that have evolved in the trajectory of contemporary cultural theory since the key interventions of Arendt in the 1950s. N° de réf. du vendeur 104123
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Vendeur : Hamelyn, Madrid, M, Espagne
Etat : Muy bueno. : En 'The Space of Appearance', George Baird explora la conexión entre la historia, la teoría y la polémica en el contexto del posmodernismo y la crítica de la arquitectura posmoderna durante las últimas cuatro décadas. El autor revela el fracaso general de estas teorías en el desarrollo de una arquitectura políticamente comprometida y que afirme la esfera pública. La obra destaca la importancia de construir un 'espacio de aparición' público, amplio y diverso, que dé cabida a todos. Baird analiza la historia reciente de las ideas que influyen en este campo, recuperando influencias e ideas omitidas en las historias convencionales del modernismo, ofreciendo una comprensión constructiva e informada de los dilemas actuales. EAN: 9780262023788 Tipo: Libros Categoría: Arte y Cultura Título: The Space of Appearance Autor: George Baird Editorial: MIT Press Idioma: en Páginas: 395 Formato: tapa dura. N° de réf. du vendeur Happ-2025-09-25-8f4f22b6
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9780262023788. N° de réf. du vendeur 9879155
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Vendeur : J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, Etats-Unis
Hardcover. 8.25" x 10.25", 395pp. Like new condition in bright and crisp dust jacket. N° de réf. du vendeur 155566
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Used - Good. Combining history, theory, and polemic, George Baird probes the conceptual lineage and current expressions of postmodernism and the critique of modernist architecture over the past four decades, revealing the general failure to develop an architecture that is politically engaged and affirmative of the public sphere. Hannah Arendt's imperative of worldliness plays a pivotal role in Baird's reading of what has come to be called architecture's belief system. It is not enough, he argues, to reject the totalizing models that have been typical both of modernism and of many of its postmodern successors. Rather it is necessary to construct a public 'space of appearance' that is large and diverse enough to make places for all of us. Baird stakes out clearly and sharply the recent history of ideas that bear on the field, recovering influences and ideas that have been omitted from standard histories of modernism. The period since 1960 has seen the collapse of the conditions that shored up modern architecture, as conventionally understood, and has also seen modernism succeeded by a whole series of tentative alternatives, none of which has successfully achieved the decisive legitimacy that modernism once held. After an introduction that situates architecture's current dilemmas within the broader currents of cultural theory, The Space of Appearance focuses on specific historical episodes or developments. Each chapter outlines a different controversy or series of controversies, or depicts the gradual and insidious erosion of certain firmly held architectural beliefs. Each chapter is also structured around a conceptual account of issues that have evolved in contemporary cultural theory since theinterventions of Arendt in the 1950s. George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades. Book has minor shelf wear. N° de réf. du vendeur 20110217131300
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