In an 1828 letter to his partner, Nicéphore Niépce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.
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Geoffrey Batchen is Professor of the History of Photography and Contemporary Art at the City University of New York Graduate Center. He is the author of Burning with Desire: The Conceptions of Photography (1999) and Each Wild Idea: Writing, Photography, History (2002), both published by the MIT Press.
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Vendeur : Eureka Books, Eureka, CA, Etats-Unis
Hardcover. Etat de la jaquette : Near Fine. First Edition. 273 pages. 8 by 9-1/2 inches. First edition (first printing). Fine in a dust jacket with minor edgewear to the flap folds, else fine. In an 1828 letter to his partner Nicephore Niepce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. In this refiguring of the traditional story of photography's origins, Batchen examines the output of the various nominees for "first photographer, " then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity. N° de réf. du vendeur 450806
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Vendeur : Marbus Farm Books, Winchester, VA, Etats-Unis
Hardcover. Etat : Fair. Hardcover, no dust jacket. Light shelfwear to covers. Front endpapers have large stains with small stains to rear endpapers. Contents clean and tight. 273 pages, index, notes, b&w photos. N° de réf. du vendeur 25256
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Vendeur : Perpetual Books, Chicago, IL, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Good. Clean text, tight binding, sticker ghost on front, wrapped in mylar. N° de réf. du vendeur ABE-1777053226805
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Vendeur : D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Hardcover. Dust Jacket Included. 8vo. pp. xii, 273. illus. index. bds. dw. First Edition. N° de réf. du vendeur PTCrnBAT68
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Vendeur : -OnTimeBooks-, Phoenix, AZ, Etats-Unis
Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. N° de réf. du vendeur OTV.0262024276.G
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