An exploration of transformations in the nature of the art object and artistic authorship in the last four decades.
In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through instructions carried out by others. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship raised by minimalists' use of industrial materials and methods, including competing claims of ownership and artistic authorship evident in conflicts over the right to fabricate artists' works. Examining recent examples of appropriation, she finds precedents in pop art and the early twentieth-century readymade and explores the intersection of contemporary artistic copying and the system of copyrights, trademarks, and brand names characteristic of other forms of commodity production. She also investigates the ways that connections between work and context have transformed art and institutional conventions, the impact of new materials on definitions of medium, the role of the document as both primary and secondary object, and the significance of conceptually oriented performance work for the intersection of photography and the human body in contemporary art. Buskirk explores how artists active in the 1980s and 1990s have recombined strategies of the art of the 1960s and 1970s. She also shows how the mechanisms through which art is presented shape not only readings of the work but the work itself. She uses her discussion of the readymade and conceptual art to explore broader issues of authorship, reproduction, context, and temporality.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Martha Buskirk is Associate Professor of Art History and Criticism at Montserrat College of Art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Fahrenheit's Books, Denver, CO, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Edition not stated, hardcover, has shallow waving to the head of the text block, mild bumps to the spine ends and cover corners, and a touch of rubbing to the covers. Overall, a solid, Very Good copy in a like, unclipped dust jacket, which has bumps to the spine ends and cover corners, and rubbing with light smudging to the covers. N° de réf. du vendeur 216349
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Vendeur : If Then Books, Philadelphia, PA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Slight shelf wear, very slight sunning on spine. Clean and crisp, dust jacket included. N° de réf. du vendeur ABE-1783821325331
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Vendeur : G.J. Askins Bookseller, New Lebanon, NY, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 318 page hardcover with illustrations. A users guide to the aesthetics of contemporary art. Inscribed by author and signed to prior owner on title page. Book and dust jacket in very good condition. Inscribed by Author(s). N° de réf. du vendeur 542282
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Vendeur : Randall's Books, Cathedral City, CA, Etats-Unis
Hardcover. Etat : Near Fine. 1st Edition. The MIT Press, Cambridge, MA, 2003. Hardcover, 317 pp. 1st edition. Illustrated in black & white. An essay on the fundamental changes in what we call "art" since the 1960s, especially regarding originality, attribution and permanence. Fine condition in a near fine dust jacket. N° de réf. du vendeur ABE-1786053577607
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Vendeur : Take Five Books, Ashland, OR, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Edition Not Stated. Light edge wear to top dust jacket. Corner's lightly bumped. Text, illustrations and photographs fine/ as new. Expedited or International shipping may cost more. N° de réf. du vendeur 013623
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