The theory and practice of networked art and activism, including mail art, sound art, telematic art, fax art, Fluxus, and assemblings.
Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance—geographical, temporal, or emotional—theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. By providing a context for this work—showing that it was shaped by varying mixes of social relations, cultural strategies, and political and aesthetic concerns—At a Distance effectively refutes the widely accepted idea that networked art is technologically determined. Doing so, it provides the historical grounding needed for a more complete understanding of today's practices of Internet art and activism and suggests the possibilities inherent in networked practice. At a Distance traces the history and theory of such experimental art projects as Mail Art, sound and radio art, telematic art, assemblings, and Fluxus. Although the projects differed, a conceptual questioning of the "art object," combined with a political undermining of dominant art institutional practices, animated most distance art. After a section that sets this work in historical and critical perspective, the book presents artists and others involved in this art "re-viewing" their work—including experiments in "mini-FM," telerobotics, networked psychoanalysis, and interactive book construction. Finally, the book recasts the history of networks from the perspectives of politics, aesthetics, economics, and cross-cultural analysis.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Annmarie Chandler is Director of Emerging Field in New Media and Digital Culture at University of Technology, Sydney, Australia.
Norie Neumark, a sound and media artist, is Honorary Professorial Fellow at Victorian College of the Arts, University of Melbourne, and Emeritus Professor at La Trobe University in Melbourne. She coedited At a Distance: Precursors to Art and Activism on the Internet and VOICE: Vocal Aesthetics in Digital Arts and Media, both published by the MIT Press.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 17507512-20
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Vendeur : Better World Books: West, Reno, NV, Etats-Unis
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Vendeur : 4NiceDesign, EVANSTON, IL, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Hardcover is fantastic, dust jacket and pages in fine shape.We will consider offers. N° de réf. du vendeur BK 00448
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0262033283I4N01
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. 1st. Cloth, xiv, 486 pages, illustrations; 24 cm. Near fine. Firm binding, clean inside copy. Remainder mark/top edge. Dust jacket protected in a mylar cover. *** "Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance -- geographical, temporal, or emotional -- theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. By providing a context for this work -- showing that it was shaped by varying mixes of social relations, cultural strategies, and political and aesthetic concerns -- At a Distance effectively refutes the widely accepted idea that networked art is technologically determined. Doing so, it provides the historical grounding needed for a more complete understanding of today's practices of Internet art and activism and suggests the possibilities inherent in networked practice. At a Distance traces the history and theory of such experimental art projects as Mail Art, sound and radio art, telematic art, assemblings, and Fluxus. Although the projects differed, a conceptual questioning of the 'art object,' combined with a political undermining of dominant art institutional practices, animated most distance art. After a section that sets this work in historical and critical perspective, the book presents artists and others involved in this art 're-viewing' their work -- including experiments in 'mini-FM,' telerobotics, networked psychoanalysis, and interactive book construction. Finally, the book recasts the history of networks from the perspectives of politics, aesthetics, economics, and cross-cultural analysis." - Publisher. *** CONTENTS: Interactive, algorithmic, networked: aesthetics of new media art, by Johanna Drucker; Immaterial material: physicality, corporality, and dematerialization in telecommunication artworks, by Tilman Baumgartel; From representation to networks: interplays of visualities, apparatuses, discourses, territories and bodies, by Reinhard Braun; The mail art exhibition: personal worlds to cultural strategies, by John Held, Jr.; Fluxus praxis: an exploration of connections, creativity, and community, by Owen F. Smith; Animating the social: mobile image/Kit Galloway and Sherrie Rabinowitz, by Annmarie Chandler; An unsuspected future in broadcasting: negativland, by Don Joyce; Mini-FM: performing microscopic distance (an e-mail interview with Tetsuo Kogawa), by Tetsuo Kogawa with Annmarie Chandler and Norie Neumark; From the Gulf War to the Battle of Seattle: building an international alternative media network, by Jesse Drew; The form: 1970-1979 and other extemporaneous anomalous assemblings, by Melody Sumner Carnahan; Networked psychoanalysis: a dialogue with Anna Freud Banana, by Craig Saper; From mail art to telepresence: communication at a distance in the works of Paulo Bruscky and Eduardo Kac, by Simone Osthoff; Distance makes the art grow further: distributed authorship and telematic textuality in La plissure du texte, by Roy Ascott; From BBS to wireless: a story of art in chips, by Andrew Garton; REALTIME: radio art, telematic art, and telerobotics: two examples, by Heidi Grundmann; Estri-dentistas: taking the teeth out of futurism, by Maria Fernandez; Computer network music bands: a history of the league of automatic music composers and the hub, by Chris Brown and John Bischoff; Assembling magazines and alternative artists' networks, by Stephen Perkins; The wealth and poverty of networks, by Ken Friedman; From internationalism to transnations: networked art and activism, by Sean Cubitt. Size: 8vo. N° de réf. du vendeur 124834
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Vendeur : Mr Pickwick's Fine Old Books, Katoomba, NSW, Australie
Hardcover (Original Cloth). Etat : Near Fine. Etat de la jaquette : Near Fine. First Edition. Size: Quarto. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. Dust Jacket is in very good condition, without tears or chips or other damage. Dust Jacket un-clipped. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; ISBN: 0262033283. ISBN/EAN: 9780262033282. All our pictures shown here are of the actual item, not stock photos. Inventory No: 9231. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right. N° de réf. du vendeur 9231
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