Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics.
Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context—the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; Gallery-Goers' Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires.
This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 São Paulo Biennial; the title piece, “Working Conditions,” which discusses corporate influence on the art world; Haacke's thinking about “real-time social systems”; and texts written for museum catalogs on various artworks, including GERMANIA, in the German Pavilion of the 1993 Venice Biennial; DER BEVÖLKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages, an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse, unveiled on the fourth plinth in Trafalgar Square in 2015.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Hans Haacke is a German-born artist who lives and works in New York. From 1967 to 2002, he taught at The Cooper Union.
Alexander Alberro is Virginia Bloedel Wright Professor of Art History at Barnard College. He is the author of Conceptual Art and the Politics of Publicity and the coeditor of Conceptual Art: A Critical Anthology, both published by The MIT Press.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : New. Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context -- the economic, social, and political conditions of the art world and the world at large. Among his best-known works are 'MoMA-Poll' (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; 'Gallery-Goers' Birthplace and Residence Profile '(1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires. This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 Sao Paulo Biennial; the title piece, 'Working Conditions,' which discusses corporate influence on the art world; Haacke's thinking about 'real-time social systems'; and texts written for museum catalogs on various artworks, including 'GERMANIA,' in the German Pavilion of the 1993 Venice Biennial; 'DER BEVOLKERUNG' (To the Population) of 2000 at the Berlin Reichstag; 'Mixed Messages,' an exhibition of objects from the Victoria and Albert Museum (2001); and 'Gift Horse,' unveiled on the fourth plinth in Trafalgar Square in 2015.'. N° de réf. du vendeur 210190
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Hard Cover. Etat : Fine. Etat de la jaquette : Fine. First Edition /First Printing. hard cover in dust jacket., no flaws or wear. clean, no markings. appears unused.; this copy signed by hans haacke on the half-title page with a black marker. no added inscription.; english text., lii-290pp., 65 illustrations in color, b/w, 52 page introduction by the editor. anthology of haacke's writings spanning decades. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author. N° de réf. du vendeur 19216
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