Marsden Hartley (1877-1943) is best known as an American modernist and pioneering artist of the early twentieth century. But he was also a prolific writer who published dozens of essays and reviews and several volumes of poetry and prose. The autobiographical account of his life in the manuscript collection of Yale's Beinecke Library has often been consulted by scholars and curators writing about Hartley. It is the most revealing document he left about his personal life and relationships—both for its disclosures and omissions—but has never been published before. Transcribed from Hartley's own handwritten manuscripts, this edition is accompanied by photographs (some never before published), notes, and an introduction discussing Hartley's fascination with autobiography in the context of his struggle with notions of self-representation in art. Susan Ryan also describes the circumstances surrounding the composition of Somehow a Past, and explains the distinctions between this original version and two later ones also in the Beinecke Library. Somehow a Past is compelling both as historical document and as personal narrative. Although solitary, self-involved, and saturnine, Hartley nevertheless knew nearly every figure of the international avant-garde in his day and unfolds his life largely through a chain of personal encounters. His traffic with such major literary and artistic figures as Alfred Stieglitz, Vasili Kandinski, Gertrude Stein, Mabel Dodge, Eugene O¹Neill, Robert McAlmon, and Charles Demuth is recorded as are his travels both domestic and foreign. Somehow a Past is gossipy, discursive, and self-distanced. Hartley drafted it several times, truncating the description of his traumatic childhood, and leaving out any overt reference to his homosexuality. Yet there are moments of crystal clear self-characterization and leitmotifs that commemorate his troubled youth.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Susan Elizabeth Ryan is Professor of Art History, Theory, New Media, and Design at the Louisiana State University School of Art.
Marsden Hartley is a well-known American modernist and pioneering artist of the early twentieth century as well as a writer.
Susan Elizabeth Ryan is Professor of Art History, Theory, New Media, and Design at the Louisiana State University School of Art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Good. Marsden Hartley (1877-1943) is best known as an American modernist and pioneering artist of the early twentieth century. But he was also a prolific writer who published dozens of essays and reviews and several volumes of poetry and prose. The autobiographical account of his life in the manuscript collection of Yale's Beinecke Library has often been consulted by scholars and curators writing about Hartley. It is the most revealing document he left about his personal life and relationships--both for its disclosures and omissions--but has never been published before. Transcribed from Hartley's own handwritten manuscripts, this edition is accompanied by photographs (some never before published), notes, and an introduction discussing Hartley's fascination with autobiography in the context of his struggle with notions of self-representation in art. Susan Ryan also describes the circumstances surrounding the composition of Somehow a Past, and explains the distinctions between this original version and two later ones also in the Beinecke Library. Somehow a Past is compelling both as historical document and as personal narrative. Although solitary, self-involved, and saturnine, Hartley nevertheless knew nearly every figure of the international avant-garde in his day and unfolds his life largely through a chain of personal encounters. His traffic with such major literary and artistic figures as Alfred Stieglitz, Vasili Kandinski, Gertrude Stein, Mabel Dodge, Eugene O Neill, Robert McAlmon, and Charles Demuth is recorded as are his travels both domestic and foreign. Somehow a Past is gossipy, discursive, and self-distanced. Hartley drafted it several times, truncating the description of his traumatic childhood, and leaving out any overt reference to his homosexuality. Yet there are moments of crystal clear self-characterization and leitmotifs that commemorate his troubled youth. N° de réf. du vendeur 00099419546
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Fine. 1ST. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 55313779-6
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0262082519I3N00
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0262082519I5N00
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Good. Marsden Hartley (1877-1943) is best known as an American modernist and pioneering artist of the early twentieth century. But he was also a prolific writer who published dozens of essays and reviews and several volumes of poetry and prose. The autobiographical account of his life in the manuscript collection of Yale's Beinecke Library has often been consulted by scholars and curators writing about Hartley. It is the most revealing document he left about his personal life and relationships--both for its disclosures and omissions--but has never been published before. Transcribed from Hartley's own handwritten manuscripts, this edition is accompanied by photographs (some never before published), notes, and an introduction discussing Hartley's fascination with autobiography in the context of his struggle with notions of self-representation in art. Susan Ryan also describes the circumstances surrounding the composition of Somehow a Past, and explains the distinctions between this original version and two later ones also in the Beinecke Library. Somehow a Past is compelling both as historical document and as personal narrative. Although solitary, self-involved, and saturnine, Hartley nevertheless knew nearly every figure of the international avant-garde in his day and unfolds his life largely through a chain of personal encounters. His traffic with such major literary and artistic figures as Alfred Stieglitz, Vasili Kandinski, Gertrude Stein, Mabel Dodge, Eugene O Neill, Robert McAlmon, and Charles Demuth is recorded as are his travels both domestic and foreign. Somehow a Past is gossipy, discursive, and self-distanced. Hartley drafted it several times, truncating the description of his traumatic childhood, and leaving out any overt reference to his homosexuality. Yet there are moments of crystal clear self-characterization and leitmotifs that commemorate his troubled youth. N° de réf. du vendeur CIN0262082519G
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Vendeur : Magers and Quinn Booksellers, Minneapolis, MN, Etats-Unis
hardcover. Etat : Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. N° de réf. du vendeur 84407
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Vendeur : HPB-Emerald, Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_458187982
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Vendeur : Firefly Bookstore, Kutztown, PA, Etats-Unis
Hardcover. Etat : Used Very Good. No Jacket. Light wear to cover, slightly bumped corners, pages clean and unmarked. There are marks on the page edges, interior pages are clean. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request. N° de réf. du vendeur 454464
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Vendeur : Southampton Books, Sag Harbor, NY, Etats-Unis
Hardcover. Etat : Like New. First Edition. First Edition, First Printing. Published by Mit Pr, 1996. Octavo. Hardcover. Book is like new. No dust jacket. N° de réf. du vendeur 538447
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Vendeur : Arundel Books, Seattle, WA, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. First Edition. 8vo - over 7¾" - 9¾" Tall 8vo xiv,246pp Edited from various manuscript sources, with an introduction and notes, by Susan Elizabeth Ryan. Includes a chronology of Hartley's life and travels. Very Good in cloth over boards.45 b/w Illustrations. // ' Marsden Hartley (1877-1943), the American modernist painter, was also a prolific writer who published dozens of essays and reviews and several volumes of poetry and prose. Yet the revealing memoir he wrote about his own life and relationships has remained unpublished until now. Hartley's text is accompanied by photographs (some never before published), notes, and an introduction discussing Hartley's autobiography in the context of his struggle with notions of self-representation in art. Susan Ryan describes the circumstances surrounding the composition of Somehow a Past, and explains the distinctions between this original version and two later ones also in Yale's Beinecke Rare Book and Manuscript Library. Somehow a Past is compelling both as historical document and as personal narrative. Although solitary, self-involved, and saturnine, Hartley nevertheless knew nearly every figure of the international avant-garde in his day and unfolds his life largely through a chain of personal encounters. His traffic with such major literary and artistic figures as Alfred Stieglitz, Vasily Kandinsky, Gertrude Stein, Mable Dodge Luhan, Eugene O'Neill, Robert McAlmon, and Charles Demuth is recorded, as are his travels both domestic and foreign.' -- publisher. N° de réf. du vendeur 005489230
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