Photographs by one of French cinema's most influential and enigmatic artists.
Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with La Jetée (1962)—a time-travel montage set after a nuclear war that inspired Terry Gilliam's Twelve Monkeys (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. Staring Back presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006. Some of the photographs are related to his classic films (which include Le Jetée, Sans Soleil, ¡Cuba Si!, and The Case of the Grinning Cat), others are portraits of famous faces (Simone Signoret, Akira Kurosawa), but most are pictures of people Marker has encountered as he has traveled the world (an extra who appeared in Kurosawa's Ran, a woman seen on a street in Siberia). The central section of the book contains a series of photographs documenting political protests Marker has witnessed, including the march on the Pentagon in 1967, the events of May 1968 in Paris, and the tumultuous 2006 demonstrations protesting the French government's proposed employment policies. The photographs are accompanied by several unpublished texts by Marker, including the English language text of The Case of the Grinning Cat and Marker's annotations for some of the photos. The book—which appears in conjunction with an exhibition at the Wexner Center for the Arts at The Ohio State University—also includes essays by Wexner Center curator Bill Horrigan and art historian Molly Nesbit.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Chris Marker (born in 1921) is one of French cinema's most influential artists.
Bill Horrigan is Director of Media Arts at the Wexner Center for the Arts at The Ohio State University.
Molly Nesbit teaches at Vassar College. She is a contributing editor at Artforum and is the author of Atget's Seven Albums and Their Common Sense.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Magers and Quinn Booksellers, Minneapolis, MN, Etats-Unis
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Hardcover. Etat : Very Good. A legendary figure in both art and cinema, French filmaker, writer, photographer and artist Chris Marker has developed a uniquely poetic approach to the filmic essay and documentary. This publication presents 200 black-and-white photographs from Marker's archives, taken from 1952 to 2006. The collection is organized around the idea of the faces Marker has seen and those that have witnessed his observant gaze. With essays. Notes, Filmography & Bibliography. 160p. N° de réf. du vendeur 3428547
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Hardcover. Etat : new. Hardcover. Photographs by one of French cinema's most influential and enigmatic artists.Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with La Jetee (1962)-a time-travel montage set after a nuclear war that inspired Terry Gilliam's Twelve Monkeys (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. Staring Back presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006. Some of the photographs are related to his classic films (which include Le Jetee, Sans Soleil, Cuba Si!, and The Case of the Grinning Cat), others are portraits of famous faces (Simone Signoret, Akira Kurosawa), but most are pictures of people Marker has encountered as he has traveled the world (an extra who appeared in Kurosawa's Ran, a woman seen on a street in Siberia). The central section of the book contains a series of photographs documenting political protests Marker has witnessed, including the march on the Pentagon in 1967, the events of May 1968 in Paris, and the tumultuous 2006 demonstrations protesting the French government's proposed employment policies. The photographs are accompanied by several unpublished texts by Marker, including the English language text of The Case of the Grinning Cat and Marker's annotations for some of the photos. The book-which appears in conjunction with an exhibition at the Wexner Center for the Arts at The Ohio State University-also includes essays by Wexner Center curator Bill Horrigan and art historian Molly Nesbit. Photographs by one of French cinema's most influential and enigmatic artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780262083652
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Vendeur : Mercantile Books, Columbus, OH, Etats-Unis
hardcover. Etat : Very Good. Hardcover, no Dust Jacket as issued. MIT Press, in association with the Wexner Center for the Arts (Columbus Ohio), 2007. A few minor smudges, else pages clean, crisp, unmarked. Cover has light wear. Shipped promptly with Tracking. MISC3. N° de réf. du vendeur 5R-9F7F-I2HR
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