During the Second Empire (1852-1870), Baron Haussmann and Emperor Napoleon III reconstructed Paris into the "City of Light" we know today. The government and other public institutions commissioned many photographers—among them Charles Marville, Henri Le Secq, Edouard-Denis Baldus, and Gustave Le Gray—to record the old Parisian architecture and to document the demolition and reconstruction. In Parisian Views, Shelley Rice explores not only the literal connections between photography and the transformation of Paris but also the metaphorical ones. For like Haussmann and Napoleon III, the photographers forged a new visual image of the city. As they constructed their "views" of Paris, they imposed order on the architecture, vistas, and street life of a city-in-progress perceived from above and below, from the skies and the sewers, from the marketplace and the windows of passing trains.
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hardcover. Etat : very good. Etat de la jaquette : very good. First. Photo Illus. 8vo, black boards, d.w. Cambridge: MIT Press, (1997). Very good Study of the use of architectural photography during the urban renewal of Paris under Baron Haussmann. N° de réf. du vendeur 278881
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Hardcover/Hardback. Etat : As New. Etat de la jaquette : Very Good. First edition. Book condition: As New (Like new, some very light shelfwear on back of dust jacket. With dust jacket.) Binding: Hardcover Language: English Edition: First edition Publishing place: Cambridge, Massachusets Publishing Year: 1997 Description: Interesting series of essays about the photographic documentation of the rise of modern Paris architecture in the mid-nineteenth century under Baron Haussmann and emperor Napoleon III. 0.900000. N° de réf. du vendeur 1973
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