The French Riviera as Eden and muse for modern artists.
The French Riviera has been a fabled resort for more than a century. As an enclave for the rich and famous, as well as a scenic tourist spot, it represents all that is beautiful and amusing. But for many of the twentieth century's finest painters, sculptors, photographers, and architects it has been much more: a place of potent myth and extraordinary creativity. Picasso, Matisse, Beckmann, Brancusi, Lartigue, Le Corbusier, and Eileen Gray, among many others, were inspired to create some of their greatest work on the Cote d'Azur.
This study examines the impact of modernity and the artistic imagination on an idyllic landscape. Touching on the issues of pleasure and escape, work and leisure, and desire and ecstasy, Making Paradise offers a fresh look at the Cote d'Azur and its historical significance as a site for modernist innovation from 1890 to the present. Beginning with the neoimpressionists, moving to the Fauves, and ending with such contemporary artists as David Hockney and Faith Ringgold, the book examines the splendid light and terrain of the southeastern coast of France and the region's influence on the artists who worked and played there. Like the book, the exhibition it accompanies features unexpected juxtapostitions: masterworks by Bonnard and Picasso with the photographs of Lartigue and Model; the villas of Le Corbusier, Gray, and Mallet-Stevens with designs for the Ballets Russes de Monte Carlo; and ceramics of Picasso with the found-object constructions of the Ecole de Nice of the early 1960s.
Copublished with the AXA Gallery, New York.
Exhibition information
AXA Gallery
New York, New York
April 26-July 14, 2001
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Kenneth E. Silver is Associate Professor of Fine Arts, New York University. He is the author of Esprit de Corps: The First World War and the Art of the Parisian Avant-Garde and coauthor of An Expressionist in Paris: The Paintings of Chaim Soutine.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Used - Very Good. Foreword by Pari Stave The French Riviera has been a fabled resort formore than a century. As an enclave for the rich and famous, as well as a scenictourist spot, it represents all that is beautiful and amusing. But for many of thetwentieth century's finest painters, sculptors, photographers, and architects it hasbeen much more: a place of potent myth and extraordinary creativity. Picasso, Matisse, Beckmann, Brancusi, Lartigue, Le Corbusier, and Eileen Gray, among manyothers, were inspired to create some of their greatest work on the Cote d'Azur.Thisstudy examines the impact of modernity and the artistic imagination on an idylliclandscape. Touching on the issues of pleasure and escape, work and leisure, anddesire and ecstasy, Making Paradise offers a fresh look at the Cote d'Azur and itshistorical significance as a site for modernist innovation from 1890 to the present.Beginning with the neoimpressionists, moving to the Fauves, and ending with suchcontemporary artists as David Hockney and Faith Ringgold, the book examines thesplendid light and terrain of the southeastern coast of France and the region'sinfluence on the artists who worked and played there. Like the book, the exhibitionit accompanies features unexpected juxtapostitions: masterworks by Bonnard andPicasso with the photographs of Lartigue and Model; the villas of Le Corbusier, Gray, and Mallet-Stevens with designs for the Ballets Russes de Monte Carlo; andceramics of Picasso with the found-object constructions of the Ecole de Nice of theearly 1960s.Copublished with the AXA Gallery, New York.Exhibition information: AXAGalleryNew York, New YorkApril 26-July 14, 2001 The French Riviera as Eden and muse for modern artists. Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector. N° de réf. du vendeur 299797
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