A user's guide to Stelarc, the international performance artist whose extreme performances explore the borderland between bodies and machines.
Stelarc is the most celebrated artist in the world working within technology and the visual arts. He is both an artist and a phenomenon, using his body as medium and exhibition space. Working in the interface between the body and the machine, employing virtual reality, robotics, medical instruments, prosthetics, and the Internet, Stelarc's art includes physical acts that don't always look survivable—or, as science fiction novelist William Gibson puts it in his foreword, "sometimes seem to include the possibility of terminality."
Stelarc's projects include Third Hand, a grasping and wrist rotating mechanism with a rudimentary sense of touch that is attached to the artist and activated by EMG from other body areas; Amplified Body, in which the artist performs acoustically with his brainwaves, muscles, pulse, and blood flow signals; and the Stomach Sculpture, a device—or "aesthetic adornment"—placed in the artist's stomach and presented through video. Works in progress include the Extra Ear Project, a soft prosthesis of skin and cartilage to be constructed on the artist's arm. Stelarc's work both reflects and determines new directions in performance art and body art. Although there have been hundreds of articles written about Stelarc since he began performing in the late 1960s, Stelarc: The Monograph is the first comprehensive study of Stelarc's work practice in over thirty years. Gathering a range of writers who approach the work from a variety of perspectives, it includes William Gibson's account of his meetings with Stelarc, Arthur and Marilouise Kroker's emphatic "WE ARE ALL STELARCS NOW," and Stelarc himself in conversation with Marquard Smith. Taken together, these writers give us a multiplicity of ways to think about Stelarc.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Marquard Smith is Director of the Institute for Modern and Contemporary Culture, University of Westminster, London. He is a Founder and Editor-in-Chief of Journal of Visual Culture.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur GRP76758595
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Vendeur : Tim's Used Books Provincetown Mass., Provincetown, MA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Good. 1st Edition. Tiny chip to top corner of dust jacket; otherwise all VG. No marks in text. Not a library book. One copy only of this title. Ships in a cardboard enclosure. THE BOOK YOU SEE DESCRIBED IS THE COPY YOU WILL RECEIVE. Tim's Used Books, open shop in Provincetown, Mass., providing good books at reasonable prices on the same spot since 1991. shelf S/black. N° de réf. du vendeur 2640209
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Vendeur : Smith Family Bookstore Downtown, Eugene, OR, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. First edition with full printing line beginning with 1. Boards in very good condition with only minimal shelf-wear. Unclipped dust jacket is covered in removable mylar and is in very good condition. Black pen mark to top edge. Binding tight and text clean. N° de réf. du vendeur 5055255
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustjacket, 258 pages; very good condition, light rubbing to dj, no internal marks. Foreign shipping may be extra. N° de réf. du vendeur StStMI30
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. 1st. Cloth, xiii, 256 pages, illustrations; 24 cm. Near fine. Tight, clean copy. Small remainder mark/tail edge. First printing. Dust jacket protected in a mylar cover. *** "Stelarc is the most celebrated artist in the world working within technology and the visual arts. He is both an artist and a phenomenon, using his body as medium and exhibition space. Working in the interface between the body and the machine, employing virtual reality, robotics, medical instruments, prosthetics, and the Internet, Stelarc's art includes physical acts that don't always look survivableor, as science fiction novelist William Gibson puts it in his foreword, 'sometimes seem to include the possibility of terminality.' Stelarc's projects include Third Hand, a grasping and wrist rotating mechanism with a rudimentary sense of touch that is attached to the artist and activated by EMG from other body areas; Amplified Body, in which the artist performs acoustically with his brainwaves, muscles, pulse, and blood flow signals; and the Stomach Sculpture, a device--or 'aesthetic adornment'--placed in the artist's stomach and presented through video. Works in progress include the Extra Ear Project, a soft prosthesis of skin and cartilage to be constructed on the artist's arm. Stelarc's work both reflects and determines new directions in performance art and body art. Although there have been hundreds of articles written about Stelarc since he began performing in the late 1960s, Stelarc: The Monograph is the first comprehensive study of Stelarc's work practice in over thirty years. Gathering a range of writers who approach the work from a variety of perspectives, it includes William Gibson's account of his meetings with Stelarc, Arthur and Marilouise Kroker's emphatic 'WE ARE ALL STELARCS NOW,' and Stelarc himself in conversation with Marquard Smith. Taken together, these writers give us a multiplicity of ways to think about Stelarc." - Publisher. *** CONTENTS: The will to evolve, by Jane Goodall; An itinerary and five excursions, by Timothy Druckrey; We are all Stelarcs now, by Arthur and Marilouise Kroker; Stelarc's technological "Transcendence"/Stelarc's wet body: the insistent return of the flesh, by Amelia Jones; The evolutionary alchemy of reason, by Brian Massumi; A sensorial act of replication, by Julie Clarke; Animating bodies, mobilizing technologies: Stelarc in conversation, by Stelarc and Marquard Smith. Size: 8vo. N° de réf. du vendeur 211770
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9780262195188. N° de réf. du vendeur 7864027
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