Essays and articles about Richard Hamiton, “the intellectual father of Pop art.“
Still little-known in the United States, Richard Hamilton is a key figure in twentieth-century art. An original member of the legendary Independent Group in London in the 1950s, Hamilton organized or participated in groundbreaking exhibitions associated with the group—in particular This Is Tomorrow (1956), for which his celebrated collage Just what is it that makes today's homes so different, so appealing?, crystallizing the postwar world of consumer capitalism, was made. With his colleagues in the Independent Group, Hamilton promoted the artistic investigation of popular culture, undertaking this analysis in paintings, prints, and texts, thus setting the stage for Pop art—indeed, he is often called the intellectual father of Pop. At the same time, Hamilton was crucial to the postwar reception of Marcel Duchamp, transcribing his notes for The Large Glass and producing a reconstruction of this epochal piece for the first Duchamp retrospective in Britain, in 1966. Over the years Hamilton has continued to develop his work, in a variety of media, on subjects ranging from the Rolling Stones to the Troubles in Northern Ireland, from new commodities and technologies to the oldest genres in Western painting. True to the mission of the October Files series, this volume collects the most telling essays on Hamilton (including several hard-to-find texts by the artist), spanning the entire range of his extraordinary career.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Hal Foster is Townsend Martin '17 Professor of Art and Archaeology at Princeton University and the author of Prosthetic Gods (MIT Press) and other books.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. (October Files series). A key figure in 20th-century art, Hamilton, an original member of the legendary Independent Group in London in the 1950s, organized or participated in groundbreaking exhibitions associated with the group. Hamilton promoted the artistic investigation of popular culture, undertaking this analysis in paintins, prints, & texts, thus setting the stage for Pop art - indeed, he is often called the intellectual father of Pop. At the same time, Hamilton was crucial in the postwar reception of Marcel Duchamp, transcribing his notes for 'The Large Glass' & producing a reconstruction of this epochal piece for the first Duchamp retrospective in Britain. 51 illus. N° de réf. du vendeur 3511096
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Trade Paperback. Etat : Used - Very Good. Essays and articles about Richard Hamiton, 'the intellectual father of Pop art.'Still little-known in the United States, Richard Hamilton is a key figure in twentieth-century art. An original member of the legendary Independent Group in London in the 1950s, Hamilton organized or participated in groundbreaking exhibitions associated with the group--in particular This Is Tomorrow (1956), for which his celebrated collage Just what is it that makes today's homes so different, so appealing?, crystallizing the postwar world of consumer capitalism, was made. With his colleagues in the Independent Group, Hamilton promoted the artistic investigation of popular culture, undertaking this analysis in paintings, prints, and texts, thus setting the stage for Pop art--indeed, he is often called the intellectual father of Pop. At the same time, Hamilton was crucial to the postwar reception of Marcel Duchamp, transcribing his notes for The Large Glass and producing a reconstruction of this epochal piece for the first Duchamp retrospective in Britain, in 1966. Over the years Hamilton has continued to develop his work, in a variety of media, on subjects ranging from the Rolling Stones to the Troubles in Northern Ireland, from new commodities and technologies to the oldest genres in Western painting. True to the mission of the October Files series, this volume collects the most telling essays on Hamilton (including several hard-to-find texts by the artist), spanning the entire range of his extraordinary career. Essays and articles about Richard Hamiton, 'the intellectual father of Pop art.' Perfect copy other than a remainder mark on bottom text edge. N° de réf. du vendeur 283298
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