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Synopsis
Book by Bois YveAlain Crow Thomas Foster Hal Joselit David
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l?auteur
Yve-Alain Bois studied at the Ecole des Hautes Etudes under the guidance of Roland Barthes and Hubert Damisch. A founder of the French journal Macula, Bois is currently a professor in the School of Historical Studies at the Institute for Advanced Study, Princeton, NJ.
Hal Foster is Townsend Martin '17 Professor of Art and Archaeology at Princeton University and the author of Prosthetic Gods (MIT Press) and other books.
David Joselit is Professor of Art, Film and Visual Studies at Harvard University. He is the author of Infinite Regress: Marcel Duchamp 1910–1941, Feedback: Television against Democracy (both published by the MIT Press), American Art Since 1945, and After Art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Endgame: Reference and Simulation in Recent Painting and Sculpture
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0262521180I3N00
Quantité disponible : 1 disponible(s)
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Endgame: Reference and Simulation in Recent Painting and Sculpture
Edité par
Mit Pr, 1986
ISBN 10 : 0262521180
ISBN 13 : 9780262521185
Ancien ou d'occasion
Soft cover
Edition originale
Vendeur : Topos Bookstore, Ridgewood, NY, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Soft cover. Etat : Very Good. 1st Edition. Light shelfwear. N° de réf. du vendeur ABE-1750265277673
Quantité disponible : 1 disponible(s)
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Endgame: Reference and Simulation in Recent Painting and Sculpture
Edité par
MIT Press, 1986
ISBN 10 : 0262521180
ISBN 13 : 9780262521185
Ancien ou d'occasion
paperback
Vendeur : Epilonian Books, Manhattan Beach, CA, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
paperback. Etat : Good. Institute of Contemporary Art; MIT Press, Boston, Cambridge, Mass. [Published date: 1986]. Softcover, 115 pp; illustrated throughout with black-and-white and some color reproductions; 27 cm. First edition. In good condition. Glossy red wrappers have a 1/2" tear to the bottom edge of the back cover, creasing to the front cover and light overall scuffing with a bit of the color scuffed off along edges. Binding tight. Pages clean and unmarked. NOT Ex-Library. Published to accompany the exhibition held at the Institute of Contemporary Art, Boston, September 25 - November 30, 1986. Essays by Thomas Crow, Yve-Alain Bois, Elisabeth Sussman, David Joselit, Hal Foster, and Bob Riley explore themes of simulation, cultural critique, and the shifting status of painting and sculpture in the 1980s. Contents include: The Return of Hank Herron; Painting: The Task of Mourning; The Last Picture Show; Modern Leisure; The Future of an Illusion, or The Contemporary Artist as Cargo Cultist; Notes on New Media Theater; Checklist. Checklist lists works by: Ross Bleckner, Peter Halley, Sherrie Levine, Philip Taaffe, Jon Kessler, Jeff Koons, Joel Otterson, Haim Steinbach, Richard Baim, Gretchen Bender, Perry Hoberman. [From Publisher] Endgame provides the first comprehensive discussion of two interrelated groups of artists who have recently emerged amidst brisk critical debate and who all, in various ways, represent a critique of the commodity, or the commodification of art objects. These are the painters Ross Bleckner, Peter Halley, Sherrie Levine, and Philip Taaffe, who have ironically adopted the visual strategies of earlier modern artists, and the sculptors General Idea, Jon Kessler, Jeff Koons, Joel Otterson, and Haim Steinbach, who use consumer objects and their modes of presentation as raw material in their sculpture. Both sets of artists draw upon the formal lessons of Pop Art, Minimalism, and the more recent work of appropriation artists, as well as upon current theories of the political economy of the image. The book includes substantial essays by some of today's most noted art historians and critics: Yve-Alain Bois (Associate Professor, Johns Hopkins University) charts the history of the belief in the end of painting which he sees as central within 20th-century art, and he compares the diverse strategies that Mondrian, Rodchenko, Duchamp, and more recently Robert Ryman have employed to work out an end of painting, with the qualitatively different apocalyptic tone of Halley, Levine, Bleckner, and Taaffe. Hal Foster (Senior Editor of Art in America) examines the critical position of the sculpture of Steinbach, Koons, Kessler, and General Idea in relation to the history of the opposition between commodity and art object within modern art as first dramatized by Duchamp's readymades. Thomas Crow (Associate Professor of Art History, University of Michigan) charts the recent history of image appropriation as an antimodern or postmodern gesture of art's apparent loss of originality and cultural or social powerlessness in the face of the paradoxically thriving art market. The iconography of the sculptures included in Endgame is the focus of David Joselit's essay Modern Leisure, which notes in particular the frequency with which objects associated with sports and housecleaning are incorporated in their works. Elisabeth Sussman charts the transition between widespread appropriation of imagery drawn from mass media sources in the late 1970s and early 1980s to the use of fine art referents (like Op Art) in recent abstract painting. Bob Riley describes media performances by Richard Baim, Gretchen Bender and Perry Hoberman which accompany Endgame. N° de réf. du vendeur 20250827011
Quantité disponible : 1 disponible(s)
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Endgame: Reference and Simulation in Recent Painting and Sculpture
Edité par
MIT Press, 1986
ISBN 10 : 0262521180
ISBN 13 : 9780262521185
Ancien ou d'occasion
paperback
Vendeur : Epilonian Books, Manhattan Beach, CA, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
paperback. Etat : Good. Institute of Contemporary Art; MIT Press, Boston, Cambridge, Mass. [Published date: 1986]. Softcover, 115 pp; illustrated throughout with black-and-white and some color reproductions; 27 cm. First edition. In good+ condition. Glossy red wrappers have light bumping and creasing to edges and corners and light overall scuffing with a bit of the color scuffed off along edges. Binding tight. Pages clean and unmarked. NOT Ex-Library. Published to accompany the exhibition held at the Institute of Contemporary Art, Boston, September 25 - November 30, 1986. Essays by Thomas Crow, Yve-Alain Bois, Elisabeth Sussman, David Joselit, Hal Foster, and Bob Riley explore themes of simulation, cultural critique, and the shifting status of painting and sculpture in the 1980s. Contents include: The Return of Hank Herron; Painting: The Task of Mourning; The Last Picture Show; Modern Leisure; The Future of an Illusion, or The Contemporary Artist as Cargo Cultist; Notes on New Media Theater; Checklist. Checklist lists works by: Ross Blecket, Peter Haley; Sherrie Levine, Philip Taaffe, Jon Kessler, Jeff Koons, Joel Otterson, Haim Steinbach, Richard Baum, Gretchen Bender, Perry Hoberman. [From Publisher] Endgame provides the first comprehensive discussion of two interrelated groups of artists who have recently emerged amidst brisk critical debate and who all, in various ways, represent a critique of the commodity, or the commodification of art objects. These are the painters Ross Bleckner, Peter Halley, Sherrie Levine, and Philip Taaffe, who have ironically adopted the visual strategies of earlier modern artists, and the sculptors General Idea, Jon Kessler, Jeff Koons, Joel Otterson, and Haim Steinbach, who use consumer objects and their modes of presentation as raw material in their sculpture. Both sets of artists draw upon the formal lessons of Pop Art, Minimalism, and the more recent work of "appropriation" artists, as well as upon current theories of the political economy of the image. The book includes substantial essays by some of today's most noted art historians and critics: Yve-Alain Bois (Associate Professor, Johns Hopkins University) charts the history of the belief in "the end of painting" which he sees as central within 20th-century art, and he compares the diverse strategies that Mondrian, Rodchenko, Duchamp, and more recently Robert Ryman have employed to work out an "end of painting," with the qualitatively different apocalyptic tone of Halley, Levine, Bleckner, and Taaffe. Hal Foster (Senior Editor of Art in America) examines the critical position of the sculpture of Steinbach, Koons, Kessler, and General Idea in relation to the history of the opposition between commodity and art object within modern art as first dramatized by Duchamp's readymades. Thomas Crow (Associate Professor of Art History, University of Michigan) charts the recent history of image appropriation as an antimodern or postmodern gesture of art's apparent loss of originality and cultural or social powerlessness in the face of the paradoxically thriving art market. The iconography of the sculptures included in Endgame is the focus of David Joselit's essay Modern Leisure, which notes in particular the frequency with which objects associated with sports and housecleaning are incorporated in their works. Elisabeth Sussman charts the transition between widespread appropriation of imagery drawn from mass media sources in the late 1970s and early 1980s to the use of fine art referents (like Op Art) in recent abstract painting. Bob Riley describes media performances by Richard Baim, Gretchen Bendes and Perry Hoberman which accompany Endgame. N° de réf. du vendeur 20250827010
Quantité disponible : 1 disponible(s)
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Endgame: Reference and Simulation in Recent Painting and Sculpture
Edité par
MIT Press, 1987
ISBN 10 : 0262521180
ISBN 13 : 9780262521185
Ancien ou d'occasion
Soft cover
Vendeur : Zed Books, New York, NY, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Soft cover. Etat : Near Fine. Second printing. 8vo. 115 pp. Near Fine. Slight wear to wraps. N° de réf. du vendeur x06160
Quantité disponible : 1 disponible(s)
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Endgame : Reference and Simulation in Recent Painting and Sculpture
ISBN 10 : 0262521180
ISBN 13 : 9780262521185
Ancien ou d'occasion
Couverture souple
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
115 pp.; 26.7 x 18 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held September 25 - November 30, 1986. Curated by David Joselit and Elisabeth Sussman. Extensive essays by Thomas Crow, Yve-Alain Bois, Hal Foster, Bob Riley, Joselit, Sussman. Exhibition included works by Ross Bleckner, Peter Halley, Sherrie Levine, Philip Taaffe, General Idea, John Kessler, Jeff Koons, Joel Otterson, Haim Steinbach, Richard Baim, Gretchen Bender and Perry Hoberman. Includes a checklist of the exhibition. Very Good. Light rubbing of cover edges; 1.2 cm. mark on recto; original MoMA pricing sticker on verso. Contents are clean and unmarked. N° de réf. du vendeur 33864
Quantité disponible : 1 disponible(s)
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Endgame: Reference and Simulation in Recent Painting and Sculpture. September 25 - November 30, 1986.
Edité par
The MIT Press, Cambridge, 1986
ISBN 10 : 0262521180
ISBN 13 : 9780262521185
Ancien ou d'occasion
Paperback
Edition originale
Vendeur : Kurt Gippert Bookseller (ABAA), Chicago, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : Very good+ condition. First Edition. 115 pages. Paperback binding with a scuff on the front cover and minor shelfwear. Illustrated. The text is clean and unmarked. First edition. Exhibition catalogue. Size: Octavo (8vo). Book. N° de réf. du vendeur 017864
Quantité disponible : 1 disponible(s)
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Endgame: Reference and Simulation in Recent Painting and Sculpture
Vendeur : BennettBooksLtd, San Diego, NV, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
paperback. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0262521180
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Endgame: Reference and Simulation in Recent Painting and Sculpture
Vendeur : Toscana Books, AUSTIN, TX, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. N° de réf. du vendeur Scanned0262521180
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