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Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 208 pages, fair condition, large gallery withdrawn sticker on rear cover; scattered brown stains to bottom outer page edge that bleeds into bottom edge of some interior pages; lots of pencil underlinings to text and margin notes. As is. Foreign shipping may be extra. N° de réf. du vendeur PaBiMI10
Quantité disponible : 1 disponible(s)
Vendeur : Zoom Books Company, Lynden, WA, Etats-Unis
Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. N° de réf. du vendeur ZBV.0262524643.VG
Quantité disponible : 1 disponible(s)
Vendeur : Books From California, Simi Valley, CA, Etats-Unis
Paperback. Etat : Good. N° de réf. du vendeur mon0004168563
Quantité disponible : 1 disponible(s)
Vendeur : Books From California, Simi Valley, CA, Etats-Unis
Paperback. Etat : Very Good. N° de réf. du vendeur mon0004169948
Quantité disponible : 1 disponible(s)
Vendeur : Lot 49 Books, Philadelphia, PA, Etats-Unis
Trade Paperback. Etat : Used. N° de réf. du vendeur 1052
Quantité disponible : 1 disponible(s)
Vendeur : Marlowes Books and Music, Ferny Grove, QLD, Australie
Paperback. Etat : Very Good. First Edition. 207 pages. Book is in Very good condition throughout. N° de réf. du vendeur 227115
Quantité disponible : 1 disponible(s)
Vendeur : Pulpfiction Books, Vancouver, BC, Canada
Soft cover. Etat : Near Fine. Near Fine- to Very Good++ reprint trade paper original with french flaps, lightest edgewear to corners; trace soiling to all edges of text block. N° de réf. du vendeur 013210
Quantité disponible : 1 disponible(s)
Vendeur : melbourneartbooks, Carlton, VIC, Australie
Soft cover. Etat : As New. Art that seeks to produce situations in which relations are formed among viewers is placed in historical and theoretical context in key writings by critics and artists. The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context. Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter Bürger, Jen-Luc Nancy, Edoaurd Glissant, and Félix Guattari, as well as the first translation into English of Jacques Rancière's influential "Problems and Transformations in Critical Art." The book also includes central writings by such artists as Lygia Clark and Hélio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist. N° de réf. du vendeur ABE-1707541905018
Quantité disponible : 1 disponible(s)
Vendeur : GoldBooks, Denver, CO, Etats-Unis
Paperback. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 58W83_46_0262524643
Quantité disponible : 1 disponible(s)
Vendeur : Elizabeth's Bookshops, Fremantle, WA, Australie
French flaps|Softcover. Etat : AS NEW COPY! ART Art Theory -Art that seeks to produce situations in which relations are formed among viewers is placed in historical and theoretical context in key writings by critics and artists.The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context.ParticipationÂbegins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter Bürger, Jen-Luc Nancy, Edoaurd Glissant, and Fà lix Guattari, as well as the first translation into English of Jacques Rancià re's influential "Problems and Transformations in Critical Art." The book also includes central writings by such artists as Lygia Clark and Hà lio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist.pp. 240 illusts #090226 Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA. N° de réf. du vendeur 94948
Quantité disponible : 1 disponible(s)