Synopsis
A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field.
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À propos de l?auteur
Winifred Phillips is an award-winning composer who has composed the music for such video games as Assassin's Creed Liberation, The Da Vinci Code, God of War, Shrek the Third, Spore Hero, the LittleBigPlanet franchise, and many others.
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A Composer's Guide to Game Music (Mit Press)
Edité par
The MIT Press, 2017
ISBN 10 : 0262534495
ISBN 13 : 9780262534499
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A Composers Guide to Game Musi
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The MIT Press, 2017
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ISBN 13 : 9780262534499
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A Composer's Guide to Game Music
Edité par
MIT Press, 2017
ISBN 10 : 0262534495
ISBN 13 : 9780262534499
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A Composer's Guide to Game Music (Mit Press)
Edité par
The MIT Press, 2017
ISBN 10 : 0262534495
ISBN 13 : 9780262534499
Ancien ou d'occasion
Couverture souple
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A Composer's Guide to Game Music (Mit Press)
Edité par
The MIT Press, 2017
ISBN 10 : 0262534495
ISBN 13 : 9780262534499
Ancien ou d'occasion
Couverture souple
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A Composer's Guide to Game Music
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MIT Press, 2017
ISBN 10 : 0262534495
ISBN 13 : 9780262534499
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Composer's Guide to Game Music
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A Composer's Guide to Game Music (Paperback)
Edité par
MIT Press Ltd, Cambridge, Mass., 2017
ISBN 10 : 0262534495
ISBN 13 : 9780262534499
Neuf
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : new. Paperback. A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field.Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips-herself an award-winning composer of video game music-provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field.Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business.A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field.Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips-herself an award-winning composer of video game music-provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field.Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business.A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium. A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780262534499
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A Composer's Guide to Game Music
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Paperback. Etat : New. A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field.Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips-herself an award-winning composer of video game music-provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field.Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business.A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium. N° de réf. du vendeur LU-9780262534499
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Image d'archives
A Composer's Guide to Game Music (Mit Press)
Edité par
The MIT Press, 2017
ISBN 10 : 0262534495
ISBN 13 : 9780262534499
Ancien ou d'occasion
paperback
Vendeur : Hollywood Canteen Inc., Toronto, ON, Canada
Évaluation du vendeur 5 sur 5 étoiles
paperback. Etat : Very Good. 23 septlight cover wear. N° de réf. du vendeur 230911007
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