Utopia Post Utopia: Configurations of Nature and Culture in Recent Sculpture and Photography - Couverture souple

Jameson, Fredric; Jardine, Alice; Solomon-Godeau, Abigail; Michaud, Eric; Sussman, Elisabeth

Couverture souple

ISBN 10 : 026260017X ISBN 13 : 9780262600170

Editeur : The MIT Press, 1988

Synopsis

Much of the art and art theory of the 1980s has addressed the question Abigail Solomon-Godeau asks in her essay for this book: whether "the art object can carve a place for itself outside the determinations of the already-written, the already-seen, the sign." Utopia Post Utopia takes up the debate on this issue which has crystallized around the theoretical opposition between nature and culture, or more specifically the analysis of a nature (human and otherwise) which is culturally produced. Utopia Post Utopia approaches the nature-culture opposition from both the point of view of the lingering nostalgia for an essential nature, as well as the aggressive replacement of "reality" with simulations of both the natural and man-made environment. It documents two shows: a sculptural installation conceived by Robert Gober including work by himself, Meg Webster, and Richard Prince; and an exhibition of photography by James Welling, Oliver Wasow, Dorit Cypis, Lorna Simpson, Jeff Wall, and Larry Johnson. In addition to Abigail Solomon-Godeau's contribution, essays by Fredric Jameson, Alice Jardine, Eric Michaud, Elisabeth Sussman and David Joselit critically examine such issues as the problematic nature of utopian impulses in recent art (Jameson); the question of authenticity (Jardine); the shifting relationship between the represented and real worlds (Michaud); the phenomenon of collaboration and ensemble in recent art production (Sussman); and meaning of photographic serialization and superimposition (Joselit). Distributed for the Institute of Contemporary Art, Boston where Elisabeth Sussman is Chief Curator and David Joselit Curator.

A propos du livre

À propos de l'auteur

Éric Michaud is Directeur d'études at the École des hautes études en sciences sociales, Paris, and a 2018–2019 Fellow at the Italian Academy at Columbia University.

David Joselit is Professor of Art, Film and Visual Studies at Harvard University. He is the author of Infinite Regress: Marcel Duchamp 1910–1941, Feedback: Television against Democracy (both published by the MIT Press), American Art Since 1945, and After Art.

Détails de l'édition

• Éditeur: The MIT Press
• Date d'édition: 1988
• Langue: anglais
• ISBN 10: 026260017X
• ISBN 13: 9780262600170
• Reliure: Broché
• Nombre de pages: 120
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible