An examination of the role of images in cultural conflicts and of alternatives to Western ways of thinking about image creation and image destruction.
This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving beyond the image wars, ICONOCLASH shows that image destruction has always coexisted with a cascade of image production, visible in traditional Christian images as well as in scientific laboratories and the various experiments of contemporary art, music, cinema, and architecture. While iconoclasts have struggled against icon worshippers, another history of iconophily has always been at work. Investigating this alternative to the Western obsession with image worship and destruction allows useful comparisons with other cultures, in which images play a very different role. ICONOCLASH offers a variety of experiments on how to suspend the iconoclastic gesture and to renew the movement of images against any freeze-framing. The book includes major works by Art & Language, Willi Baumeister, Christian Boltanski, Daniel Buren, Lucas Cranach, Max Dean, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Francisco Goya, Hans Haacke, Richard Hamilton, Young Hay, Arata Isozaki, Asger Jorn, Martin Kippenberger, Imi Knoebel, Komar & Melamid, Joseph Kosuth, Gordon Matta-Clark, Tracey Moffat, Nam June Paik, Sigmar Polke, Stephen Prina, Man Ray, Sophie Ristelhueber, Hiroshi Sugimoto, and many others.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Bruno Latour, a philosopher and anthropologist, is the author of We Have Never Been Modern, An Inquiry into Modes of Existence, Facing Gaia, Down to Earth, and many other books. He coedited (with Peter Weibel) the previous ZKM volumes Making Things Public, ICONOCLASH, and Reset Modernity! (all published by the MIT Press).
Peter Weibel is Chairman and CEO of the ZKM | Center for Art and Media Karlsruhe. With Bruno Latour, he coedited ICONOCLASH and Making Things Public as well as other ZKM volumes, including, most recently, Sound Art and Global Activism (all published by the MIT Press).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Salish Sea Books, Bellingham, WA, Etats-Unis
Etat : Fair. Fair-to-Good; Softcover; Covers are clean and glossy overall, but with a couple of large vertical creases to the front cover; Unblemished textblock edges; The endpapers and text pages are all clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); Heavy (6.5 lbs); Dark blue covers with title in white lettering; 2002, The MIT Press; 703 pages; "Iconoclash: Beyond the Image Wars in Science, Religion and Art," by Latour & Weibel. N° de réf. du vendeur SKU-0871AD03104236
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Vendeur : Greenworld Books, Arlington, TX, Etats-Unis
Etat : very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy. N° de réf. du vendeur GWV.026262172X.VG
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 8094446-6
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Vendeur : Else Fine Booksellers, Tacoma, WA, Etats-Unis
Soft cover. Etat : Good. Exhibition monograph, well illustrated. Rubbed at the extremities, many little dents and scratches on the covers, dime-sized dent in the center spine exposing layers of paper, glue and webbing to varying degrees- an impressive dent likely caused, I surmise, by some gravity-inducing event. The binding remains firm and square, the text clean. Extra shipping required for priority orders and exotic destinations. N° de réf. du vendeur 007886
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Vendeur : BMV Bloor, Toronto, ON, Canada
Etat : Good. Paperback in good condition. Bumped at spine bottom corner. Bump has caused a tear at bottom of spine. Scuffing to back cover. Spine creased and cracked in multiple spots. Pages clean, no notes or highlights. Used - Good. N° de réf. du vendeur 274-a - 00034
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Vendeur : Moe's Books, Berkeley, CA, Etats-Unis
Soft cover. Etat : Very good. No jacket. In great condition. The cover is shelf worn and rubbed. Binding is secure and inside is clean and unmarked. N° de réf. du vendeur 2052984
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Vendeur : Moe's Books, Berkeley, CA, Etats-Unis
Softcover. Etat : Very good. No jacket. Some shelfwear. N° de réf. du vendeur 115499
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Vendeur : The Private Library, London, Royaume-Uni
Etat : Very Good. From the Library of Tim Llewellyn, OBE. N° de réf. du vendeur PL-17800-LL32
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Vendeur : Book Broker, Berlin, Allemagne
Etat : Sehr gut. 700 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Mit Namenseintrag. Sprache: Englisch Gewicht in Gramm: 3100 Taschenbuch, Maße: 20.96 cm x 5.08 cm x 27.31 cm. N° de réf. du vendeur 661637651
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Vendeur : Hotdog1947, Glastonbury, CT, Etats-Unis
Soft cover. Etat : Good. Good clean copy with a tight binding. Cover edge wear, creased page tips. N° de réf. du vendeur 22142
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