Twentieth-century artist Joseph Beuys (1921-1986)--legendary and self-mythologizing, enigmatic and controversial--remains an important influence on artists today. Beuys embraced radically democratic artistic and political ideas, proclaiming "Everyone is an artist," and advocating direct democracy through referenda. He famously worked with such nontraditional materials as felt, fat, and plants and animals both alive and dead. Beuys and his work--performance art, drawing, painting, sculpture, installation--received perhaps the most contentious reception of any postwar artist. This reader brings together the crucial writings on Beuys and his work, presenting key essays by prominent artists and critics from North America and Europe. With a foreword by Arthur C. Danto, "Style and Salvation in the Art of Beuys," Benjamin H. D. Buchloh's now classic 1980 essay, "Beuys, Twilight of the Idol," and influential texts by Vera Frenkel, Thierry de Duve, Rosalind Krauss, Peter Burger, Irit Rogoff, and others, Joseph Beuys: The Reader is the most significant gathering of critical texts on this challenging artist that has ever been assembled. It will be essential reading for any student of Beuys and for all those interested in postwar art, the cult of the artist, and art's engagement with politics and society. Claudia Mesch is Assistant Professor at the School of Art, Arizona State University. Viola Michely is a writer and curator and teaches art and philosophy at the August-Macke School, Bonn.ContributorsJoseph Beuys, Eugen Blume, Benjamin H. D. Buchloh, Peter Burger, Jean-Francois Chevrier, Catherine David, Thierry de Duve, Vera Frenkel, Stefan Germer, Rosalind Krauss, Barbara Lange, Dirk Luckow, Claudia Mesch, Viola Michely, Irit Rogoff, Gregory Ulmer, Theodora Vischer, Antje von Graevenitz, Dorothea Zwirner
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Claudia Mesch is Assistant Professor at the School of Art, Arizona State University. Viola Michely is a writer and curator and teaches art and philosophy at the August-Macke School, Bonn.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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paperback. Etat : fine. Beuys, Joseph (illustrateur). First. xviii + 334 pages. 8vo, glossy mint green wrappers. Cambridge: The MIT Press, (2007). First American edition. A fine copy. N° de réf. du vendeur 337294
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Vendeur : Bill & Ben Books, Faringdon, Royaume-Uni
Paperback. Etat : New. Essential texts on a legendary twentieth-century artist, including key essays by Benjamin H. D. Buchloh, Rosalind Krauss, Peter Bürger, Thierry de Duve, and others. Twentieth-century artist Joseph Beuys (1921-1986)â"legendary and self-mythologizing, enigmatic and controversialâ"remains an important influence on artists today. Beuys embraced radically democratic artistic and political ideas, proclaiming âEveryone is an artist,â and advocating direct democracy through referenda. He famously worked with such nontraditional materials as felt, fat, and plants and animals both alive and dead. Beuys and his workâ"performance art, drawing, painting, sculpture, installationâ"received perhaps the most contentious reception of any postwar artist. This reader brings together the crucial writings on Beuys and his work, presenting key essays by prominent artists and critics from North America and Europe. With a foreword by Arthur C. Danto, âStyle and Salvation in the Art of Beuys,â Benjamin H. D. Buchloh's now classic 1980 essay, âBeuys, Twilight of the Idol,â and influential texts by Vera Frenkel, Thierry de Duve, Rosalind Krauss, Peter Bürger, Irit Rogoff, and others, Joseph Beuys: The Reader is the most significant gathering of critical texts on this challenging artist that has ever been assembled. It will be essential reading for any student of Beuys and for all those interested in postwar art, the cult of the artist, and art's engagement with politics and society. Contributors Joseph Beuys, Eugen Blume, Benjamin H. D. Buchloh, Peter Bürger, Jean-François Chevrier, Catherine David, Thierry de Duve, Vera Frenkel, Stefan Germer, Rosalind Krauss, Barbara Lange, Dirk Luckow, Claudia Mesch, Viola Michely, Irit Rogoff, Gregory Ulmer, Theodora Vischer, Antje von Graevenitz, Dorothea Zwirner. N° de réf. du vendeur 0102016
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Paperback. Etat : Fine. 1st. xviii, 334 pages, illustrations; 24 cm. Additional translation by Nickolas Decarlo, Kayvan Rouhani and Heidi Zimmerman. Tight, clean copy. *** "Joseph Beuys is one of the most legendary figures of 20th century art and his work and ideas continue to impact on artists today. This reader brings together the crucial texts on Beuys to look at the most contentious reception ever accorded a postwar artist." - Publisher. *** CONTENTS: List of Illustrations; Acknowledgements; Foreword: Style and Salvation in the Art of Beuys; Editors' Introduction; I; BEUYS AND HIS 'CHALLENGERS'; 1. Breaking the Silence: Joseph Beuys on his 'Challenger', Marcel Duchamp (1995); 2. Beuys, Haacke, Broodthaers (1988); 3: Beuys and Broodthaers: Dialectics of Modernity between 'Analytic Geometry and the Belief in an Unbelieving God' (2001); 4. Letters as Works of Art: Beuys and James Lee Byars (2000, excerpt); II: CRITICS' PERSPECTIVES: 5. Beuys: The Twilight of the Idol (1980); 6. Discontinuous Notes on and after a Meeting of Critics, by One of the Artists Present (1981, excerpt); 7. Joseph Beuys, or the Last of the Proletarians (1988); III: BEUYS AND THE LIMITS OF ICONOGRAPHY: 8. Beuys and Romanticism (1986, excerpt); 9. No to. Joseph Beuys (1997); IV: BEUYS, ART AND POLITICS; 10. 'Questions? You have Questions?' Joseph Beuys' Artistic Self-Presentation in Fat Transformation Piece/Four Blackboards, 1972 (1996); 11. Every Man an Artist: Talks at Documenta V by Joseph Beuys (1972, excerpt); 12. Institutionalizing Social Sculpture: Beuys' Office for Direct Democracy through Referendum Installation, 1972 (1997, excerpt);13. U berblick Series on the Parliamentary Election (1983, excerpt); V. BEUYS AND POSTMODERNISM; 14. Performance: Joseph Beuys (1985, excerpt); 15. In the Shadow of Joseph Beuys: Remarks on the Subject of Art and Philosophy Today (1987); 16. Letter to Jean-Franc ois Chevrier (1997, excerpt); 17. The Aesthetics of Post-History: A German Perspective (1995, excerpts); VI: ISSUES OF RECEPTION: 18. The Reception of Joseph Beuys in the USA, and Some of its Cultural/Political and Artistic Assumptions (1998, excerpt); 19. Joseph Beuys and the GDR: The Individual as Political (1992); 20. Joseph Beuys and Surrealism (1997) Roundtable; Appendix: Key Dates and Exhibitions; Index. Size: 8vo. N° de réf. du vendeur 210814
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