Writing from inside the discipline of architecture, rather than from the more common extrapolations from the history of painting and philosophy, Alberto Pérez-Gómez and Louise Pelletier focus on the implications of the tool of perspective (and the hegemony of vision) for architectural representation. Their primary thesis is that tools of representation have a direct influence on the conceptual development of projects and generation of forms, and that there are alternatives to the reductive working methods of most contemporary practice.
The book examines textual evidence across a broad historical period, concentrating on the relationship between drawing and architectural space in the period from the seventh century to the twentieth century. The book discusses such issues as optical correction and the nature of architectural drawing in selected treatises, revealing the complexity and potential contradiction inherent in any linear history of representation. The authors' ultimate aim is to probe the possibilities of the constructed world—that is, architecture—as a poetic translation, rather than prosaic transcription, of its representations.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alberto Pérez Gómez directs the History and Theory of Architecture Program at McGill University, where he is Saidye Rosner Bronfman Professor of the History of Architecture. He is the author of Architecture and the Crisis of Modern Science, Built upon Love: Architectural Longing after Ethics and Aesthetics (both published by the MIT Press), and other books.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Bad Animal, Santa Cruz, CA, Etats-Unis
Soft cover. Etat : Very Good. Cambridge: The MIT Press, 2000. Quarto. Soft cover. Third printing. Half-title page a bit creased. Internal contents clean and unmarked. Very good. N° de réf. du vendeur 005520
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0262661136I5N10
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Vendeur : Garden Village Books, Cardiff, Royaume-Uni
Soft cover. Etat : Very Good. Very slight curling to cover corners. Otherwise in as new condition. Looks unread. No creasing to spine. No internal markings. N° de réf. du vendeur ABE-1708531267245
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Vendeur : Walden Books, London, Royaume-Uni
Paperback. Etat : Very Good+. Laminate card cover bright and stiff, minute bumping to corners; Pages crisp, no ownership marks, B&W images in text; Binding tight. ; The MIT Press; 7 x 9"; 505 pages. N° de réf. du vendeur 50796
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Vendeur : Salish Sea Books, Bellingham, WA, Etats-Unis
Etat : Very Good. Very Good; Softcover; Light wear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); 2.5 lbs; Abstract illustration to the cover with title in black lettering; 2000, MIT Press; 526 pages; "Architectural Representation and the Perspective Hinge," by Alberto Perez-Gomez, et al. N° de réf. du vendeur SKU-1133AB03802135
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Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
Soft cover. Etat : Very Good. Book is in very good condition. 505pp with b/w illustrations. N° de réf. du vendeur 010627
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Vendeur : Mooney's bookstore, Den Helder, Pays-Bas
Etat : Very Good. N° de réf. du vendeur DA2D0B155A3C49C
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