Examines the issues and controversies raised by the recent exhibitions "Bad Girls" and "Bad Girls West" in New York and Los Angeles.
With essays by Marcia Tucker, Marcia Tanner, Linda Goode Bryant, and Cheryl Dunye Unconventional and distinctly "unladylike," Bad Girls considers many issues and controversies raised by the recent exhibitions "Bad Girls" and "Bad Girls West," mounted in New York and Los Angeles respectively. But the central issues it examines are humor, transgression, and the critical and constructive potential of laughter in the work of a new generation of Bad Girls. Humor is the connecting force between the 45 artists in "Bad Girls," and it is clear that they express themselves in ways that their mothers probably would not have approved of. But they don't care. Bad Girls addresses questions of gender, race, class, age, and sex by challenging conventional ideas about motherhood, food, fashion, beauty, work, marriage, and psychoanalysis. Using humor as a subversive weapon and having a field day with cosmetic aids and transgressive bodies, the artists in Bad Girls draw from the issues that concern artists like Barbara Kruger, Jenny Holzer, Hannah Wilke, and Cindy Sherman while taking these in new directions. In one of the book's four essays, Marcia Tucker, founder and director of The New Museum of Contemporary Art, discusses the relationship between work centering on gender and feminist issues and the carnivalesque, the female/lesbian/cross-dressed body in relation to the "grotesque body," mass culture and popular culture, and the evolution of a female comic sensibility. Marcia Tanner, independent curator for "Bad Girls West" in Los Angeles, focuses on foremothers who include Yoko Ono, Sherrie Levine, and Louise Bougeoise. Linda Goode Bryant, freelance writer and researcher, takes on the etymology of the world "bad" in black culture. And Cheryl Dunye, curator, lecturer, and self-described black lesbian bad girl filmmaker, addreses transgressive women's videos. You're less apt to be a bad girl if: You're reasonably sure you could survive in the suburbs without taking Prozac. You're more apt to be a bad girl if: Someone made your hair a primary color and you didn't sue Sybil Sage/Wall Texts, 1994.
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Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. N° de réf. du vendeur OTV.0262700530.G
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Vendeur : Ammareal, Morangis, France
Softcover. Etat : Très bon. Ancien livre de bibliothèque avec équipements. Edition 1994. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1994. Ammareal gives back up to 15% of this item's net price to charity organizations. N° de réf. du vendeur I-489-006
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Vendeur : Bagatelle Books, Asheville, NC, Etats-Unis
Paperback. Etat : Very good. First Edition, First Printing. Octavo. 7.5 x 8.5 in. 144 pp. Fully illustrated with black & white reproductions of art. Very good in original pictorial wrappers. Published in conjunction with an exhibition organized by Marcia Tucker at The New Museum of Contemporary Art, New York, from January 14-February 27, 1994. N° de réf. du vendeur 5102
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Vendeur : Messinissa libri, Milano, MI, Italie
brossura paperback. Etat : Ottimo (Fine). CR35.CCopertina editoriale in brossura pieghevole ,in lingua inglese, volume in ottime condizioni, illustrato, copertina e interno in ottimo stato, 144 pagine circaCopertina come da foto ISBN/ASIN 0262700530. Book. N° de réf. du vendeur bc_229564
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Etat : BUONO USATO. Da revisionare INGLESE Catalogo della mostra svoltasi presso The New Museum of Contemporary Art a New York, 14 gennaio-27 febbraio 1994 e 5 marzo-10 aprile 1994, pagine leggermente ingiallite ai bordi, profusamente illustrate da foto a colori ed in nero nei testi, con qualche rara segnatura a matita, copertina editoriale in cartoncino flessibile, con ombrature, qualche macchia, segni di usura alle punte, al piede ed alla cima, grande etichetta al dorso e completamente ricoperta da film protettivo in acetato trasparente, adesivo e residui di adesivo al retro piatto posteriore. Il volume potrebbe contenere timbri, il materiale à stato regolarmente acquisito dalla nostra Libreria. Numero pagine 144. N° de réf. du vendeur TEM0366
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Paperback. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 67S48_60_0262700530
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Paperback. Etat : Fine. 1st. 144 pages, illustrations; 22 cm. An exhibition organized by Marcia Tucker at the New Museum of Contemporary Art, New York, part 1: January 14 to February 27,1994, and part II, March 5 to April 10, 1994. Tight, clean copy. *** An exhibition focusing on iconoclastic feminist art since the sixties. *** CONTENTS: Attack of the giant ninja mutant barbies, by Marcia Tucker; Mother laughed: the bad girls' avant-garde, by Marcia Tanner; "All that she wants": transgressions, appropriations, and art, by Linda Goode Bryant; Possessed, by Cheryl Dunye. Size: 8vo. Collectible. N° de réf. du vendeur 211471
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Paperback. Etat : New. N° de réf. du vendeur Abebooks7414
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