Images and texts document the legendary Department of Media Study at SUNY Buffalo when it set the world standard; a history of the program and examples of work by “Buffalo heads” James Blue, Tony Conrad, Hollis Frampton, Gerald O'Grady, Paul Sharits, Steina, Woody Vasulka, and Peter Weibel.
Twentieth-century art history is not just a history of individuals, but of collectives, groups. Universities and colleges have had much to do with this through their support of artistic communities and creative interactions. In the 1920s and 1930s, the Bauhaus was known for this. In the 1940s, Black Mountain College became a leader in community-based visual art practice and education. And in the 1970s and 1980s, the Department of Media Study at the State University of New York at Buffalo was the place to be. It was there, in 1973, well before any other university had a program explicitly devoted to media art, that Gerald O'Grady founded a media study program that is now legendary. Artists—including avant-garde filmmakers Hollis Frampton, Tony Conrad, and Paul Sharits, documentary maker James Blue, video artists Woody Vasulka and Steina, and Viennese action artist Peter Weibel—investigated, taught, and made media art in all forms, and founded the first Digital Arts Laboratory. These Buffalo faculty members were not just practicing artists, but also theorists who wrote and spoke on issues raised by their work. They set the terms for the development of media art and paved the way for the triumph of video installation art in the 1990s. The images and texts in Buffalo Heads bear witness to the groundbreaking events at the Buffalo Center for Media Study. The book presents not just a tribute to a famous media department finally receiving its due; it is a rich inventory of primary texts (many never before published), works that will improve our understanding of media, amplify our cultural memory, and offer a perspective on contemporary issues.
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Woody Vasulka was a Professor at the Center for Media Study at SUNY Buffalo from 1973 to 1979. With his wife Steina, he founded The Kitchen, a New York City electronic media theater in 1971.
Peter Weibel is Chairman and CEO of the ZKM | Center for Art and Media Karlsruhe. With Bruno Latour, he coedited ICONOCLASH and Making Things Public as well as other ZKM volumes, including, most recently, Sound Art and Global Activism (all published by the MIT Press).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 838 pages, very good condition, light crease to spine; light rubbing to covers; sticker on first page with blacked out name; no other internal marks. Foreign shipping may be extra. N° de réf. du vendeur BuWeZK50
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Vendeur : Whitledge Books, Austin, TX, Etats-Unis
Soft cover. Etat : Very Good. No Jacket. BUFFALO HEADS: MEDIA STUDY, MEDIA PRACTICE, MEDIA PIONEERS, 1973-1990, edited by Woody Vasulka and Peter Weibel, softcover, illustrated, probable first edition, 2008. BOOK CONDITION: very good. The text block and illustrations are in fine condition, with no tears, dog ears, or marks. No bookplate or signature of a prior owner. Not a library book or remainder. The wraps are in good condition (wrinkles, creases, curling corners, one light crease on spine). 11 x 8 ½, 839 pages, 124 ounces. XX [From the back cover] In the 1970s and the 1990s, the Department of Media Study at the State University of New York at Buffalo developed into what was perhaps the most influential school for media arts in the 20th century. Teaching there under the leadership of founder Gerald O'Grady were the (since canonized) structuralist, avant-garde filmmakers Hollis Frampton, Tony Conrad, and Paul Sharits, documentary filmmaker James Blue, video artists Steina and Woody Vasulka, and media artist Peter Weibel. XX [MIT Press description] Twentieth-century art history is not just a history of individuals, but of collectives, groups. Universities and colleges have had much to do with this through their support of artistic communities and creative interactions. In the 1920s and 1930s, the Bauhaus was known for this. In the 1940s, Black Mountain College became a leader in community-based visual art practice and education. And in the 1970s and 1980s, the Department of Media Study at the State University of New York at Buffalo was the place to be. It was there, in 1973, well before any other university had a program explicitly devoted to media art, that Gerald O'Grady founded a media study program that is now legendary. Artists investigated, taught, and made media art in all forms, and founded the first Digital Arts Laboratory. These Buffalo faculty members were not just practicing artists, but also theorists who wrote and spoke on issues raised by their work. They set the terms for the development of media art and paved the way for the triumph of video installation art in the 1990s. The images and texts in Buffalo Heads bear witness to the groundbreaking events at the Buffalo Center for Media Study. The book presents not just a tribute to a famous media department finally receiving its due; it is a rich inventory of primary texts (many never before published), works that will improve our understanding of media, amplify our cultural memory, and offer a perspective on contemporary issues. Woody Vasulka was a Professor at the Center for Media Study at SUNY Buffalo from 1973 to 1979. With his wife Steina, he founded The Kitchen, a New York City electronic media theater in 1971. Peter Weibel is Chairman and CEO of the ZKM | Center for Art and Media Karlsruhe, Germany. N° de réf. du vendeur 002789
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Vendeur : -OnTimeBooks-, Phoenix, AZ, Etats-Unis
Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. N° de réf. du vendeur OTV.0262720507.G
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0262720507I3N00
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Vendeur : Antiquariaat Berger & De Vries, Groningen, Pays-Bas
Large paperback. 27x21 cm. 836 p. Many ills in color and monochrome. . -(Signs of use to the cover, but overall in very good condition.). ISBN 9780262720502. N° de réf. du vendeur 75969-A-68272
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Vendeur : O.o.l.p., Torino, TO, Italie
N° de réf. du vendeur 9780262720502
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 800 pages. 11.25x8.50x2.00 inches. In Stock. N° de réf. du vendeur 0262720507
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Vendeur : Buchpark, Trebbin, Allemagne
Etat : Sehr gut. Zustand: Sehr gut | Seiten: 840 | Sprache: Englisch | Produktart: Bücher | Images and texts document the legendary Department of Media Study at SUNY Buffalo when it set the world standard; a history of the program and examples of work by "Buffalo heads” James Blue, Tony Conrad, Hollis Frampton, Gerald O'Grady, Paul Sharits, Steina, Woody Vasulka, and Peter Weibel.Twentieth-century art history is not just a history of individuals, but of collectives, groups. Universities and colleges have had much to do with this through their support of artistic communities and creative interactions. In the 1920s and 1930s, the Bauhaus was known for this. In the 1940s, Black Mountain College became a leader in community-based visual art practice and education. And in the 1970s and 1980s, the Department of Media Study at the State University of New York at Buffalo was the place to be. It was there, in 1973, well before any other university had a program explicitly devoted to media art, that Gerald O'Grady founded a media study program that is now legendary. Artists—including avant-garde filmmakers Hollis Frampton, Tony Conrad, and Paul Sharits, documentary maker James Blue, video artists Woody Vasulka and Steina, and Viennese action artist Peter Weibel—investigated, taught, and made media art in all forms, and founded the first Digital Arts Laboratory. These Buffalo faculty members were not just practicing artists, but also theorists who wrote and spoke on issues raised by their work. They set the terms for the development of media art and paved the way for the triumph of video installation art in the 1990s. The images and texts in Buffalo Heads bear witness to the groundbreaking events at the Buffalo Center for Media Study. The book presents not just a tribute to a famous media department finally receiving its due; it is a rich inventory of primary texts (many never before published), works that will improve our understanding of media, amplify our cultural memory, and offer a perspective on contemporary issues. N° de réf. du vendeur 3617380/2
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Vendeur : BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Allemagne
Softcover. Etat : gut. 2008. Buffalo Heads In englischer Sprache. pages. N° de réf. du vendeur BN191766
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Paperback. Etat : New. N° de réf. du vendeur 73568
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