The book takes as its starting point a small group of illuminated manuscripts made in Byzantium in the tenth to thirteenth centuries. These are fully illustrated here for the first time, and described in detail. This material provides the opportunity to discuss fundamental questions about the way all artist of this period worked and were trained, and what their intentions and expectations were.
The study moves from a brief theoretical introduction, explaining the choice of material, to a preliminary overview of the group. Each manuscript is then discussed in detail, in an attempt to show how and why it has come to look the way it does. Analysis then proceeds in an ever-widening spiral, moving from the individual manuscripts, to the relationship within the group, to possible connections with art from the West to the Christian Orient, from the Early Christian period to the fourteenth century, and, finally, to the possibility of lost material unlike that which survives. This broad survey raises crucial questions about how artists knew what to paint and how we should approach the material left for study. The answers proposed here, in emphasizing the importance of an artist's workshop training, the evidence for artistic originality, and the necessity to build hypotheses on the basis of surviving material, represent an approach to manuscripts which can be broadly applied.
The originality of the artist and the uniqueness of the work of art (concepts often assumed to be unimportant before the Renaissance) are revealed here, not merely in the manuscripts of the group but throughout the Byzantine world and beyond its frontiers.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
John Lowden is a University lecturer, Courtauld Institute of Art, University of London. He has published various articles in specialist journals such as Dumbarton Oaks Papers and Jahrbuch der Öesterreichischen Byzantinistik.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Adkins Books, Chattanooga, TN, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Former owner name on front endpaper. N° de réf. du vendeur 2201250002
Quantité disponible : 1 disponible(s)
Vendeur : -OnTimeBooks-, Phoenix, AZ, Etats-Unis
Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail. N° de réf. du vendeur OTV.0271006048.VG
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Not Indicated. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 58110131-6
Quantité disponible : 1 disponible(s)
Vendeur : Smith Family Bookstore Downtown, Eugene, OR, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Boards clean, spine printing bright purple, lightly bumped at corners, no writing or highlighting. Dust jacket worn at corners and edges, front and back light toning, small spots, no stickers or markings, covered in mylar. International orders will require additional postage due to size. N° de réf. du vendeur 400632
Quantité disponible : 1 disponible(s)
Vendeur : Michener & Rutledge Booksellers, Inc., Baldwin City, KS, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Text clean and tight; NOTE: additional postge may be necessary for international shipping; 8vo 8" - 9" tall; 230 pages. N° de réf. du vendeur 244180
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Good. Not Indicated. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 58110131-6
Quantité disponible : 1 disponible(s)
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Not Indicated. Minor shelf wear; faint sunning. Rear jacket panel creased along spine. Faint crimping along edges of panels. Else fine. Internally a bright, clean copy with pristine plates. The book takes as its starting point a small group of illuminated manuscripts made in Byzantium in the tenth to thirteenth centuries. These are fully illustrated here for the first time, and described in detail. This material provides the opportunity to discuss fundamental questions about the way all artist of this period worked and were trained, and what their intentions and expectations were. The study moves from a brief theoretical introduction, explaining the choice of material, to a preliminary overview of the group. Each manuscript is then discussed in detail, in an attempt to show how and why it has come to look the way it does. Analysis then proceeds in an ever-widening spiral, moving from the individual manuscripts, to the relationship within the group, to possible connections with art from the West to the Christian Orient, from the Early Christian period to the fourteenth century, and, finally, to the possibility of lost material unlike that which survives. This broad survey raises crucial questions about how artists knew what to paint and how we should approach the material left for study. The answers proposed here, in emphasizing the importance of an artist's workshop training, the evidence for artistic originality, and the necessity to build hypotheses on the basis of surviving material, represent an approach to manuscripts which can be broadly applied. The originality of the artist and the uniqueness of the work of art (concepts often assumed to be unimportant before the Renaissance) are revealed here, not merely in the manuscripts of the group but throughout the Byzantine world and beyond its frontiers. N° de réf. du vendeur 2033508
Quantité disponible : 1 disponible(s)
Vendeur : South Congress Books, Austin, TX, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good +. 1st Edition. Near fine book with a very good or better jacket with a few short, closed tears. Plate section with 8 color plates and 134 b&w figures. N° de réf. du vendeur 501698
Quantité disponible : 1 disponible(s)
Vendeur : Michael R. Thompson Books, A.B.A.A., Los Angeles, CA, Etats-Unis
Fine in dust jacket. 1st edition. Binding is Cloth. N° de réf. du vendeur 002010
Quantité disponible : 1 disponible(s)
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:0271006048. N° de réf. du vendeur 7865401
Quantité disponible : 1 disponible(s)