This first comprehensive study in English of Romanesque sculpture in Campania places the material in the context of South Italian medieval culture.
Although medieval Campania was part of the Norman kingdom, which at its zenith included almost all of South Italy, it has distinguishable characteristics that set it apart from its neighbors: the emphatic imprint of the Roman past, a long-lived Lombard settlement, the authoritative conservatism of the abbey of Monte Cassino, the lack of Byzantine dominance, and close political and cultural ties with Sicily. In this sense, Romanesque sculpture in Campania is very much a local phenomenon, for it evolved from a close study of local antiquity and the selective adaptation of elements from neighboring provinces. From its beginning, Romanesque sculpture in Campania is characterized by attention to small scale decorative motifs seen on both portals and capitals. By the latter part of the twelfth century, an avid interest in stone pulpits and paschal candelabra fostered both internal consistency in local workshops and specifically Campanian content in part inspired by the local liturgy.
Dorothy Glass's study urges that the definition of Romanesque be both expanded and extended chronologically to include the southern Mediterranean.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Dorothy Glass is a Professor of Art History at the University of Buffalo and author of Italian Romanesque Sculpture: An Annotated Bibliography (1983.)
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : The Compleat Scholar, Rochester, NY, Etats-Unis
hardcover. Etat : As New. No marks or highlighting in the book. Our copy is hardback, with a dust jacket, showing light shelf-wear. Pictures are black & white. Heavy book, extra shipping costs to locations outside USA. N° de réf. du vendeur MPL-26-001-58
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:0271007133. N° de réf. du vendeur 4338020
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:0271007133. N° de réf. du vendeur 4146218
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Etat : Good. Original green cloth, gilt lettered spine, dust jacket, illustrated with numerous photographs in b/w, 4to. N° de réf. du vendeur 400262-LA11
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Vendeur : Columbia Books, ABAA/ILAB, MWABA, Columbia, MO, Etats-Unis
Hardcover. Etat : As new. Etat de la jaquette : as new. The Pennsylvania State University Press, 1991. 252pp., index, bibliography, black and white photograph illustrations throughout. 4to. As new hardcover, as new d/j. N° de réf. du vendeur 115277
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Vendeur : Wykeham Books, LONDON, Royaume-Uni
Cloth, 4to, 29 cm, xix, 252 pp, 231 ills. From the blurb - "This first comprehensive study in English of Romanesque sculpture in Campania places the material in the context of South Italian medieval culture. Although medieval Campania was part of the Norman kingdom, which at its zenith included almost all of South Italy, it has distinguishable characteristics that set it apart from its neighbors: the emphatic imprint of the Roman past, a long-lived Lombard settlement, the authoritative conservatism of the abbey of Monte Cassino, the lack of Byzantine dominance, and close political and cultural ties with Sicily. In this sense, Romanesque sculpture in Campania is very much a local phenomenon, for it evolved from a close study of local antiquity and the selective adaptation of elements from neighboring provinces. From its beginning, Romanesque sculpture in Campania is characterized by attention to small-scale decorative motifs seen on both portals and capitals. By the latter part of the twelfth century, an avid interest in stone pulpits and paschal candelabra fostered both internal consistency in local workshops and specifically Campanian content in part inspired by the local liturgy. Dorothy Glass's study urges that the definition of Romanesque be both expanded and extended chronologically to include the southern Mediterranean." Small mark to foot of spine, otherwise Near Fine in Very Good dustwrapper, with short closed tear to upper edge of front panel. N° de réf. du vendeur ABE-50139
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Vendeur : Easton's Books, Inc., Mount Vernon, WA, Etats-Unis
Hardcover. Etat : VG+. Hardback in Very Good+ condition with Very Good+ dust jacket. 11.4 X 8.8 X 1.0 inches. 272 pages. * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *. N° de réf. du vendeur 50240
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Vendeur : Argosy Book Store, ABAA, ILAB, New York, NY, Etats-Unis
hardcover. Etat : fine. Etat de la jaquette : near fine. Illustrated with b/w images throughout. 252 pages. 4to, green cloth, d.w. University Park: Pennsylvania State University Press, (1991). A fine copy in a near fine wrapper, a touch of scuffing to front panel. N° de réf. du vendeur 303813
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Vendeur : Fireside Bookshop, Stroud, GLOS, Royaume-Uni
hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Light shelf wear to edges of D/J. N° de réf. du vendeur 724182
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