No seventeenth-century poet was more popularly read or imitated than George Herbert, and none represents the lyric implications of the Christian narrative more fully, with the possible exception of Milton. There is therefore a growing perception that George Herbert deserves to be placed more in the mainstream of literary history and that romanticism and modernism are not exclusively post-Milton phenomena. As one of the centers of new historicist interest, The Temple has of late been seated in the context of church controversies, Reformation thought, and the politics of the 1620s. Yet previous studies have been reluctant to widen their focus to locate Herbert within the intellectual movements of the earlier seventeenth century, apart from doctrinal issues and the social idiom that he often uses.
Harold Toliver explores the implications for Herbert's lyrics of the Christian narrative―the secular labyrinth and the parables' guiding rope, the conflicts between heart and mind, the agonies of postponement, intervals and abstract totality, the visible church and its calendar, the concept of an ending, and Herbert's adaptation of the sonnet form. To establish Herbert's place among other seventeenth-century writers who make use of the Christian narrative, Toliver provides close readings of several poems and new configurations that reveal the pressure of the narrative whole on lyric moments as well as the bearing of the times on them. Herbert had difficulty salvaging any interest in a university or a secular career once he turned to sacred poetry. He also subordinated all phases of the Bible as a cultural history to the single pattern imposed by the Pauline reduction of the Bible to a single story. As part of Toliver's assessment of Herbert's intellectual landscape and active engagement in alternatives, the treatment polarizes that Pauline method and the Hebrew Bible's anecdotal, political, and social detail.
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Harold Toliver is Professor of English at the University of California, Irvine, and author of several books, including Transported Styles in Shakespeare and Milton (Penn State, 1989) and Lyric Provinces (1985).
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Hardcover. Etat : Very Good. 275 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. Published Sept 15, 1993. Please Note: Some mustiness from being stored in a box in a basement. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding. N° de réf. du vendeur 032978
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Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. Penn State University Press, 1993. First edition. First printing. Hardbound. Cloth, Very Fine in a very fine dust jacket. A tight, clean copy, new and unread. Comes with archival-quality dust jacket protector. SALE UNIV. N° de réf. du vendeur 6065
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Vendeur : MW Books, New York, NY, Etats-Unis
First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 275 pages ; 24 cm. Notes; Includes bibliographical references and index. Contents; Secular labyrinths and the silk myth -- Different schools for heart and mind -- Postponement -- Filled intervals and abstract totality -- Herbert at psalms and sonnets -- The visible church and its calendar -- The end of the fable. Subjects; Herbert, George 1593-1633 Criticism and interpretation. Narration (Rhetoric). Rhetoric 1500-1800. Christian poetry, English History and criticism. 1 Kg. N° de réf. du vendeur 405140
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Vendeur : MW Books Ltd., Galway, Irlande
First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 275 pages ; 24 cm. Notes; Includes bibliographical references and index. Contents; Secular labyrinths and the silk myth -- Different schools for heart and mind -- Postponement -- Filled intervals and abstract totality -- Herbert at psalms and sonnets -- The visible church and its calendar -- The end of the fable. Subjects; Herbert, George 1593-1633 Criticism and interpretation. Narration (Rhetoric). Rhetoric 1500-1800. Christian poetry, English History and criticism. 1 Kg. N° de réf. du vendeur 405140
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