Principles of Art History Writing traces the changes in the way in which writers about art represent the same works. These differ in such deep ways as to raise the question of whether those at the beginning of the process even saw the same things as those at the end did. Carrier uses four case studies to identify and explain changing styles of restorations and the history of interpretations of selected works by Piero, Caravaggio, and van Eyck.
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David Carrier is Professor of Philosophy at Carnegie Mellon University and author of Artwriting (1987) and Poussin's Paintings (Penn State, 1992).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. University Park: The Pennsylvania State University Press, 1993. 249 pages; b&w illustrations. ". traces the changes in the way in which writers about art represent the same works.". Printed Wrapper (softcover). Very Good. 8vo. Language: ENG. N° de réf. du vendeur 002643
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Paperback. Etat : Very Good. Clean tightly bound unmarked copy. light bump to top left corner. Secure boxed packaging! "Principles of Art History Writing traces the changes in the way in which writers about art represent the same works. These differ in such deep ways as to raise the question of whether those at the beginning of the process even saw the same things as those at the end did. Carrier uses four case studies to identify and explain changing styles of restoration and the history of interpretation of selected works by peiro, Caravaggio, and van Eyck.". k2. Book. N° de réf. du vendeur 5500
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Original softcover. Etat : Sehr gut. 3rd print. XIII, 249 p., ill. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Overall very good and clean. - Principles of Art History Writing traces the changes in the way in which writers about art represent the same works. These differ in such deep ways as to raise the question of whether those at the beginning of the process even saw the same things as those at the end did. Carrier uses four case studies to identify and explain changing styles of restoration and the history of interpretation of selected works by Piero, Caravaggio, and van Eyck. - DAVID CARRIER is Professor of Philosophy at Carnegie Mellon University and author of Artwriting (Massachusetts, 1987) and Poussins Paintings: A Study in Art-Historical Methodology (Penn State, 1992). ISBN 9780271009452 Sprache: Englisch Gewicht in Gramm: 428. N° de réf. du vendeur 1189974
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